Louisiana -- Social life and customs -- Fiction; Short stories, American
"Where is your little child? I have n't seen her," inwardly marveling
that a little child should have uttered such words of wisdom as those
recorded of her.
"She yonder to Mme. Duplan on Cane River. I been kine espectin' hair
sence yistiday--hair an' Placide," casting an unconscious glance down
the long plantation road. "But Mme. Duplan she nevair want to let
Euphrasie go. You know it's hair raise' Euphrasie sence hair po' ma
die', Mr. Offde'n. She teck dat li'le chile, an' raise it, sem lack
she raisin' Ninette. But it's mo' 'an a year now Euphrasie say dat's
all fool nonsense to leave me livin' 'lone lack dat, wid nuttin' 'cep'
dem nigger'--an' Placide once a w'ile. An' she came yair bossin'! My
goodness!" The old man chuckled, "Dat's hair been writin' all dem
letter' to Hardin'-Offde'n. If it would been me myse'f"--
[Footnote 1: Pronounced Nack-e-tosh.]
III.
Placide seemed to have had a foreboding of ill from the start when he
found that Euphrasie began to interest herself in the condition of the
plantation. This ill feeling voiced itself partly when he told her
it was none of her lookout if the place went to the dogs. "It's good
enough for Joe Duplan to run things _en grand seigneur_, Euphrasie;
that's w'at's spoiled you."
Placide might have done much single-handed to keep the old place in
better trim, if he had wished. For there was no one more clever than he
to do a hand's turn at any and every thing. He could mend a saddle or
bridle while he stood whistling a tune. If a wagon required a brace or
a bolt, it was nothing for him to step into a shop and turn out one as
deftly as the most skilled blacksmith. Any one seeing him at work with
plane and rule and chisel would have declared him a born carpenter. And
as for mixing paints, and giving a fine and lasting coat to the side of
a house or barn, he had not his equal in the country.
This last talent he exercised little in his native parish. It was in a
neighboring one, where he spent the greater part of his time, that his
fame as a painter was established. There, in the village of Orville, he
owned a little shell of a house, and during odd times it was Placide's
great delight to tinker at this small home, inventing daily new
beauties and conveniences to add to it. Lately it had become a precious
possession to him, for in the spring he was to bring Euphrasie there as
his wife.
Maybe it was because of his talent, and his indifference in turning it
to good, that he was often called "a no-account creole" by thriftier
souls than himself. But no-account creole or not, painter, carpenter,
blacksmith, and whatever else he might be at times, he was a Santien
always, with the best blood in the country running in his veins. And
many thought his choice had fallen in very low places when he engaged
himself to marry little Euphrasie, the daughter of old Pierre Manton
and a problematic mother a good deal less than nobody.
Public-domain text, read in full here on John Shaqi.
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