In the meantime his poverty had compelled him, much against his wishes, to accept an offer from the London Philharmonic Society to conduct their concerts for a season (March to June, 1855). He had reason to bitterly regret this action. With the limited number of rehearsals at his command it was impossible for him to make the orchestra follow his intentions and reveal his greatness as a conductor. He was not allowed to make the programmes, and the directors, ignorant of the fact that they had engaged the greatest musical genius of the century, gave no Wagner concert, and put only a few short selections from his early operas on the programs. Thus his hopes of creating a desire for the hearing of his complete operas, which had been one of his motives in going to London, were frustrated. He was, moreover, constantly abused for doing things differently from Mendelssohn, and the leading critics referred to his best music as "senseless discord," "inflated display of extravagance and noise," and so on. Almost the only pleasant episode was the sympathy and interest of Queen Victoria, who had a long talk with him, and informed him that his music had enraptured her. For all this trouble and loss of time (he found himself unable in London to do any satisfactory work on the uncompleted "Valkyrie" score), he received the munificent sum of $1,000,--considerably less than many Wagner singers to-day get for one evening's work. Shortly before leaving London he wrote to a friend that he would bring home about 200 francs,--$40! For this he had wasted four months of precious time and endured endless "contrarieties and vulgar animosities," to use his own words. Equally unsuccessful were his efforts, a few years later, to better himself financially by a series of concerts in Paris (1860). They resulted in a large deficit. Nor was he benefited by the performances of his "Tannhäuser," which were given at the grand opera in March, 1861, by order of Napoleon, at the request of the influential Princess Metternich. He had refused to interpolate a vulgar ballet in the second act for the benefit of the members of the aristocratic Jockey Club, who dined late and insisted on having a ballet on entering the opera-house. They took their revenge by creating such a disturbance every evening that after the third performance Wagner refused to allow any further repetitions, although the house on the third night had been completely sold out. He was to receive $50 for each performance. The result was $150, or less than 50 cents a day, for a year's hard work and no end of worry in connection with the rehearsals.