Beacon Lights of History, Volume 3 part 2: Renaissance and ReformationLord, John
History
Beacon Lights of History, Volume 3 part 2: Renaissance and Reformation
Lord, John
History
Unfortunately, we know but little of Chaucer's habits and
experiences, his trials and disappointments, his friendships or his
hatreds. What we do know of him raises our esteem. Though
convivial, he was temperate; though genial, he was a silent
observer, quiet in his manners, modest in his intercourse with the
world, walking with downcast eye, but letting nothing escape his
notice. He believed in friendship, and kept his friends to the
end, and was stained neither by envy nor by pride,--as frank as he
was affectionate, as gentle as he was witty. Living with princes
and nobles, he never descended to gross adulation, and never wrote
a line of approval of the usurpation of Henry IV., although his
bread depended on Henry's favor, and he was also the son of the
king's earliest and best friend. He was not a religious man, nor
was he an immoral man, judged by the standard of his age. He
probably was worldly, as he lived in courts. We do not see in him
the stern virtues of Dante or Milton; nothing of that moral
earnestness which marked the only other great man with whom he was
contemporary,--he who is called the "morning star" of the
Reformation. But then we know nothing about him which calls out
severe reprobation. He was patriotic, and had the confidence of
his sovereign, else he would not have been employed on important
missions. And the sweetness of his character may be inferred from
his long and tender friendship with Gower, whom some in that age
considered the greater poet. He was probably luxurious in his
habits, but intemperate use of wine he detested and avoided. He
was portly in his person, but refinement marked his features. He
was a gentleman, according to the severest code of chivalric
excellence; always a favorite with ladies, and equally admired by
the knights and barons of a brilliant court. No poet was ever more
honored in his life or lamented in his death, as his beautiful
monument in Westminster Abbey would seem to attest. That monument
is the earliest that was erected to the memory of a poet in that
Pantheon of English men of rank and genius; and it will probably be
as long preserved as any of those sculptured urns and animated
busts which seek to keep alive the memory of the illustrious dead,--
of those who, though dead, yet speak to all future generations.
AUTHORITIES.
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