Boys -- Fiction; Country homes -- England -- Fiction; Household employees -- Fiction
All day long at intervals Miss Philips smiled at him and made him do
little services for her. And in the evening, after the custom of her
great profession when it keeps holiday, she insisted on going to the
play. She said it would be the loveliest fun. She went with Mrs. Bowles
because Mrs. Geedge wanted to sit quietly in the caravan and write down
a few little things while they were still fresh in her mind. And it
wasn’t in the part of Madeleine Philips not to insist that both William
and Bealby must go too; she gave them each a shilling—though the prices
were sixpence, threepence, two-pence and a penny—and Bealby saw his
first real play.
It was called _Brothers in Blood, or the Gentleman Ranker_. There was a
poster—which was only very slightly justified by the performance—of a
man in khaki with a bandaged head proposing to sell his life dearly over
a fallen comrade.
One went to the play through an open and damaged field gate and across
trampled turf. Outside the tent were two paraffin flares illuminating
the poster and a small cluster of the impecunious young. Within on grass
that was worn and bleached were benches, a gathering audience, a piano
played by an off-hand lady, and a drop scene displaying the Grand Canal,
Venice. The Grand Canal was infested by a crowded multitude of zealous
and excessive reflections of the palaces above and by peculiar
crescentic black boats floating entirely out of water and having no
reflections at all. The off-hand lady gave a broad impression of the
wedding march in Lohengrin, and the back seats assisted by a sort of
gastric vocalization called humming and by whistling between the teeth.
Madeleine Philips evidently found it tremendous fun, even before the
curtain rose.
And then—illusion....
Public-domain text, read in full here on John Shaqi.
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