“Oh, they are, I assure you of that,” interposed the young man. “Then you should put them out of harm’s way at once. Supposing anything should leak out, think of all these poor, unfortunate people who would be involved in the disclosures,” and Lulu tapped the list with an agitated gesture. “Unfortunate, perhaps, but not poor,” corrected Vasco; “if you read the list carefully you’ll notice that I haven’t troubled to include anyone whose financial standing isn’t above question.” Lulu glared at her nephew for some moments in silence. Then she asked hoarsely: “What are you going to do?” “Nothing—for the remainder of my life,” he answered meaningly. “A little hunting, perhaps,” he continued, “and I shall have a villa at Florence. The Villa Sub-Rosa would sound rather quaint and picturesque, don’t you think, and quite a lot of people would be able to attach a meaning to the name. And I suppose I must have a hobby; I shall probably collect Raeburns.” Lulu’s relative, who lived at the Court of Monaco, got quite a snappish answer when she wrote recommending some further invention in the realm of marine research. THE COBWEB The farmhouse kitchen probably stood where it did as a matter of accident or haphazard choice; yet its situation might have been planned by a master-strategist in farmhouse architecture. Dairy and poultry-yard, and herb garden, and all the busy places of the farm seemed to lead by easy access into its wide flagged haven, where there was room for everything and where muddy boots left traces that were easily swept away. And yet, for all that it stood so well in the centre of human bustle, its long, latticed window, with the wide window-seat, built into an embrasure beyond the huge fireplace, looked out on a wild spreading view of hill and heather and wooded combe. The window nook made almost a little room in itself, quite the pleasantest room in the farm as far as situation and capabilities went. Young Mrs. Ladbruk, whose husband had just come into the farm by way of inheritance, cast covetous eyes on this snug corner, and her fingers itched to make it bright and cosy with chintz curtains and bowls of flowers, and a shelf or two of old china. The musty farm parlour, looking out on to a prim, cheerless garden imprisoned within high, blank walls, was not a room that lent itself readily either to comfort or decoration. “When we are more settled I shall work wonders in the way of making the kitchen habitable,” said the young woman to her occasional visitors. There was an unspoken wish in those words, a wish which was unconfessed as well as unspoken. Emma Ladbruk was the mistress of the farm; jointly with her husband she might have her say, and to a certain extent her way, in ordering its affairs. But she was not mistress of the kitchen.