A single day was to be the term of his holiday at Tourdestelle; but it
stood forth as one of those perfect days which are rounded by an
evening before and a morning after, giving him two nights under the
same roof with Renée, something of a resemblance to three days of her;
anticipation and wonder filling the first, she the next, the adieu the
last: every hour filled. And the first day was not over yet. He forced
himself to calmness, that he might not fritter it, and walked up and
down the room he was dressing in, examining its foreign decorations,
and peering through the window, to quiet his nerves. He was in her own
France with her! The country borrowed hues from Renée, and lent some.
This chivalrous France framed and interlaced her image, aided in
idealizing her, and was in turn transfigured. Not half so well would
his native land have pleaded for the forgiveness of a British damsel
who had wrecked a young man’s immoderate first love. That glorified
self-love requires the touch upon imagination of strangeness and an
unaccustomed grace, to subdue it and make it pardon an outrage to its
temples and altars, and its happy reading of the heavens, the earth
too: earth foremost, we ought perhaps to say. It is an exacting
heathen, best understood by a glance at what will appease it:
beautiful, however, as everybody has proved; and shall it be decried in
a world where beauty is not overcommon, though it would slaughter us
for its angry satisfaction, yet can be soothed by a tone of colour, as
it were by a novel inscription on a sweetmeat?
Public-domain text, read in full here on John Shaqi.
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