Her name was Renée. She was the only daughter of the Comte de Croisnel. Her brother Roland owed his life to Nevil, this Englishman proud of a French name—Nevil Beauchamp. If there was any warm feeling below the unruffled surface of the girl’s deliberate eyes while gazing on him, it was that he who had saved her brother must be nearly brother himself, yet was not quite, yet must be loved, yet not approached. He was her brother’s brother-in-arms, brother-in-heart, not hers, yet hers through her brother. His French name rescued him from foreignness. He spoke her language with a piquant accent, unlike the pitiable English. Unlike them, he was gracious, and could be soft and quick. The battle-scarlet, battle-black, Roland’s tales of him threw round him in her imagination, made his gentleness a surprise. If, then, he was hers through her brother, what was she to him? The question did not spring clearly within her, though she was alive to every gradual change of manner toward the convalescent necessitated by the laws overawing her sex. Venice was the French girl’s dream. She was realizing it hungrily, revelling in it, anatomizing it, picking it to pieces, reviewing it, comparing her work with the original, and the original with her first conception, until beautiful sad Venice threatened to be no more her dream, and in dread of disenchantment she tried to take impressions humbly, really tasked herself not to analyze, not to dictate from a French footing, not to scorn. Not to be petulant with objects disappointing her, was an impossible task. She could not consent to a compromise with the people, the merchandize, the odours of the city. Gliding in the gondola through the narrow canals at low tide, she leaned back simulating stupor, with one word—“Venezia!” Her brother was commanded to smoke: “Fumez, fumez, Roland!” As soon as the steel-crested prow had pushed into her Paradise of the Canal Grande, she quietly shrouded her hair from tobacco, and called upon rapture to recompense her for her sufferings. The black gondola was unendurable to her. She had accompanied her father to the Accademia, and mused on the golden Venetian streets of Carpaccio: she must have an open gondola to decorate in his manner, gaily, splendidly, and mock at her efforts—a warning to all that might hope to improve the prevailing gloom and squalor by levying contributions upon the Merceria! Her most constant admiration was for the English lord who used once to ride on the Lido sands and visit the Armenian convent—a lord and a poet. [Lord Byron D.W.]