Renée said: “I know my ancestors are bound up in me, by my sentiments
to them; and so do you, M. Nevil. We shame them if we fail in courage
and honour. Is it not so? If we break a single pledged word we cast
shame on them. Why, that makes us what we are; that is our distinction:
we dare not be weak if we would. And therefore when Venice is
reproached with avarice and luxury, I choose to say—what do we hear of
the children of misers? and I say I am certain that those old cold
Huguenot stonecutters were proud and grasping. I am sure they were, and
they _shall_ share the blame.”
Nevil plunged into his volume.
He called on Roland for an opinion.
“Friend,” said Roland, “opinions may differ: mine is, considering the
defences of the windows, that the only way into these houses or out of
them bodily was the doorway.”
Roland complimented his sister and friend on the prosecution of their
studies: he could not understand a word of the subject, and yawning, he
begged permission to be allowed to land and join the gondola at a
distant quarter. The gallant officer was in haste to go.
Renée stared at her brother. He saw nothing; he said a word to the
gondoliers, and quitted the boat. Mars was in pursuit. She resigned
herself, and ceased then to be a girl.
CHAPTER VI.
LOVE IN VENICE
The air flashed like heaven descending for Nevil alone with Renée. They
had never been alone before. Such happiness belonged to the avenue of
wishes leading to golden mists beyond imagination, and seemed, coming
on him suddenly, miraculous. He leaned toward her like one who has
broken a current of speech, and waits to resume it. She was all
unsuspecting indolence, with gravely shadowed eyes.
“I throw the book down,” he said.
She objected. “No; continue: I like it.”
Both of them divined that the book was there to do duty for Roland.
He closed it, keeping a finger among the leaves; a kind of anchorage in
case of indiscretion.
“Permit me to tell you, M. Nevil, you are inclined to play truant
to-day.”
“I am.”
“Now is the very time to read; for my poor Roland is at sea when we
discuss our questions, and the book has driven him away.”
“But we have plenty of time to read. We miss the scenes.”
“The scenes are green shutters, wet steps, barcaroli, brown women,
striped posts, a scarlet night-cap, a sick fig-tree, an old shawl,
faded spots of colour, peeling walls. They might be figured by a
trodden melon. They all resemble one another, and so do the days here.”
“That’s the charm. I wish I could look on you and think the same. You,
as you are, for ever.”
“Would you not let me live my life?”
“I would not have you alter.”
“Please to be pathetic on that subject after I am wrinkled, monsieur.”
“You want commanding, mademoiselle.”
Renée nestled her chin, and gazed forward through her eyelashes.
“Venice is like a melancholy face of a former beauty who has ceased to
rouge, or wipe away traces of her old arts,” she said, straining for
common talk, and showing the strain.
Public-domain text, read in full here on John Shaqi.
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