He was out in the grounds with the early morning light. Coffee and sweet
French bread were brought out to him, and he was informed of the hours of
reunion at the chateau, whose mistress continued invisible. She might be
sleeping. He strolled about, within view of the windows, wondering at
her subservience to sleep. Tourdestelle lay in one of those Norman
valleys where the river is the mother of rich pasture, and runs hidden
between double ranks of sallows, aspens and poplars, that mark its
winding line in the arms of trenched meadows. The high land on either
side is an unwatered flat up to the horizon, little varied by dusty
apple-trees planted in the stubble here and there, and brown mud walls of
hamlets; a church-top, a copse, an avenue of dwarf limes leading to the
three-parts farm, quarter residence of an enriched peasant striking new
roots, or decayed proprietor pinching not to be severed from ancient.
Descending on the deep green valley in Summer is like a change of climes.
The chateau stood square at a branch of the river, tossing three light
bridges of pretty woodwork to park and garden. Great bouquets of
swelling blue and pink hydrangia nestled at his feet on shaven grass. An
open window showed a cloth of colour, as in a reminiscence of Italy.
Beauchamp heard himself addressed:--'You are looking for my sister-in-
law, M. Beauchamp?'
The speaker was Madame d'Auffray, to whom he had been introduced
overnight--a lady of the aquiline French outline, not ungentle.
Renee had spoken affectionately of her, he remembered. There was nothing
to make him be on his guard, and he stated that he was looking for Madame
de Rouaillout, and did not conceal surprise at the information that she
was out on horseback.
'She is a tireless person,' Madame d'Auffray remarked. 'You will not
miss her long. We all meet at twelve, as you know.'
'I grudge an hour, for I go to-morrow,' said Beauchamp.
The notification of so early a departure, or else his bluntness,
astonished her. She fell to praising Renee's goodness. He kept her to
it with lively interrogations, in the manner of a, guileless boy urging
for eulogies of his dear absent friend. Was it duplicity in him or
artlessness?
'Has she, do you think, increased in beauty?' Madame d'Auffray inquired:
an insidious question, to which he replied:
'Once I thought it would be impossible.'
Not so bad an answer for an Englishman, in a country where speaking is
fencing; the race being little famous for dialectical alertness: but was
it artful or simple?
Public-domain text, read in full here on John Shaqi.
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