'To-morrow?' Colonel Halkett put on a thoughtful air. 'To-morrow we're
off to the island for a couple of days; and there's Lord Croyston's
garden party, and the Yacht Ball. Come this evening-dine with us. No
reading of letters, please. I can't stand it, Nevil.'
The invitation was necessarily declined by a gentleman who could not
expect to be followed by supplies of clothes and linen for evening wear
that day.
'Ah, we shall see you some day or other,' said the colonel.
Cecilia was less alive to Beauchamp's endeavour to prepare her for the
harsh words in the letter than to her father's insincerity. She would
have asked her friend to come in the morning next day, but for the dread
of deepening her blush.
'Do you intend to start so early in the morning, papa?' she ventured to
say; and he replied, 'As early as possible.'
'I don't know what news I shall have in Bevisham, or I would engage to
run over to the island,' said Beauchamp, with a flattering persistency or
singular obtuseness.
'You will dance,' he subsequently observed to Cecilia, out of the heart
of some reverie. He had been her admiring partner on the night before
the drive from Itchincope into Bevisham, and perhaps thought of her
graceful dancing at the Yacht Ball, and the contrast it would present to
his watch beside a sick man-struck down by one of his own family.
She could have answered, 'Not if you wish me not to'; while smiling at
the quaint sorrowfulness of his tone.
'Dance!' quoth Colonel Halkett, whose present temper discerned a healthy
antagonism to misanthropic Radicals in the performance, 'all young people
dance. Have you given over dancing?'
'Not entirely, colonel.'
Cecilia danced with Mr. Tuckham at the Yacht Ball, and was vividly
mindful of every slight incident leading to and succeeding her lover's
abrupt, 'You will dance' which had all passed by her dream-like up to
that hour his attempt to forewarn her of the phrases she would deem
objectionable in Dr. Shrapnel's letter; his mild acceptation of her
father's hostility; his adieu to her, and his melancholy departure on
foot from the station, as she drove away to Mount Laurels and gaiety.
Why do I dance? she asked herself. It was not in the spirit of
happiness. Her heart was not with Dr. Shrapnel, but very near him,
and heavy as a chamber of the sick. She was afraid of her father's
favourite, imagining, from the colonel's unconcealed opposition to
Beauchamp, that he had designs in the interests of Mr. Tuckham. But the
hearty gentleman scattered her secret terrors by his bluffness and
openness. He asked her to remember that she had recommended him to
listen to Seymour Austin, and he had done so, he said. Undoubtedly he
was much improved, much less overbearing.
Public-domain text, read in full here on John Shaqi.
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