Cecil struck out his underjaw to reply: 'Oh! good. You sleep here to-
night. You are a fortunate man. I congratulate you. I shall not
disturb you. I have just entered on my occupation of the house. I have
my key. Allow me to recommend you to go straight to the drawing-room.
And I may inform you that the Earl of Romfrey is at the point of death.
My lord is at the castle.'
Cecil accompanied his descent of the steps with the humming of an opera
melody: Beauchamp tripped into the hall-passage. A young maid-servant
held the door open, and she accosted him: 'If you please, there is a lady
up-stairs in the drawing-room; she speaks foreign English, sir.'
Beauchamp asked if the lady was alone, and not waiting for the answer,
though he listened while writing, and heard that she was heavily veiled,
he tore a strip from his notebook, and carefully traced half-a-dozen
telegraphic words to Mrs. Culling at Steynham. His rarely failing
promptness, which was like an inspiration, to conceive and execute
measures for averting peril, set him on the thought of possibly
counteracting his cousin Cecil's malignant tongue by means of a message
to Rosamund, summoning her by telegraph to come to town by the next train
that night. He despatched the old woman keeping the house, as trustier
than the young one, to the nearest office, and went up to the drawing-
room, with a quick thumping heart that was nevertheless as little
apprehensive of an especial trial and danger as if he had done nothing at
all to obviate it. Indeed he forgot that he had done anything when he
turned the handle of the drawing-room door.
CHAPTER XL
A TRIAL OF HIM
A low-burning lamp and fire cast a narrow ring on the shadows of the
dusky London room. One of the window-blinds was drawn up. Beauchamp
discerned a shape at that window, and the fear seized him that it might
be Madame d'Auffray with evil news of Renee: but it was Renee's name he
called. She rose from her chair, saying, 'I!'
She was trembling.
Beauchamp asked her whisperingly if she had come alone.
'Alone; without even a maid,' she murmured.
He pulled down the blind of the window exposing them to the square, and
led her into the light to see her face.
The dimness of light annoyed him, and the miserable reception of her;
this English weather, and the gloomy house! And how long had she been
waiting for him? and what was the mystery? Renee in England seemed
magical; yet it was nothing stranger than an old dream realized. He
wound up the lamp, holding her still with one hand. She was woefully
pale; scarcely able to bear the increase of light.
'It is I who come to you': she was half audible.
'This time!' said he. 'You have been suffering?'
'No.'
Her tone was brief; not reassuring.
'You came straight to me?'
'Without a deviation that I know of.'
'From Tourdestelle?'
'You have not forgotten Tourdestelle, Nevil?'
Public-domain text, read in full here on John Shaqi.
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