England -- Fiction; Families -- Fiction; Farms -- Fiction; Older men -- Fiction
And yet, in spite of the intervening break, her fate and the room’s
fate had fulfilled themselves in time. She had come in the end to the
place ordained, just as the changes she had meant for the room had
come about. Now it was all scoured clean, painted and stained, with
a new iron bed that had full command of its legs, and four little
knobs like four little globes of gold. Her second scrubbing had been
so thorough that it almost seemed as if there was nothing of the old
room left. Even the dust and dimness had had a character of their
own, and both of them had been swept away. Even the windows looked
a different shape now they were frames for those shining plaques of
gold. They were like young eyes now, shining and clear, where before
they were ancient and blurred with tears ... eyes with a whole world
behind them under the sky, instead of blankness staring at nothing
without sight.
Yet something lingered that belonged to the old room, something that
was perhaps nothing more than a question in the air. That was the
reason, perhaps, why she hesitated to call her work complete, since
the room seemed to cry upon her for something else. It seemed to
be waiting for something to come back; she wondered vaguely if it
was the old woman’s shoes. She would have brought them back right
willingly if she could, but she had never seen or heard of them since
that day. Probably they had gone at the sale, or simply been lost or
burnt or thrown away. It was out of the question, anyhow, to think of
finding them now. If the room was waiting for that, it would have to
do without.
She felt sure that, even in its best days, the room had never
looked so fine, even in those far-off days when the house had
freshened itself for another bride. There might have been curtains,
perhaps—perhaps not upstairs—but almost certainly there had been no
blinds. Little need for them, indeed, with windows facing the lone
sands, and a white-sailed yacht at the flood the only passer-by. And
she was certain that, not for years, if ever before, had roses been
set upon the sill.
There was no doubt, however, that rooms, like folks, were growing
smarter with the times. Old as he was, the old man would know that,
and would feel, if only unconsciously, the finer touch. He would be
proud of a son’s wife who had such ways; straight from his present
home, indeed, how could he be anything but proud? And progress and
new paint had not harried the old-time peace of the room, nor could
she herself have done it real harm. The tradition behind her was too
pure for that, the abiding spirit of the house too strong.
Public-domain text, read in full here on John Shaqi.
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