England -- Fiction; Families -- Fiction; Farms -- Fiction; Older men -- Fiction
Even with her hand pressing upon it, it had taken months to die. It
had never really flickered out until he had ceased trying to find one
of them to love. He had tried each of them in turn, from the rating,
jibing mother herself to the red-haired baby screaming on the hearth,
and then he had suddenly let them all go. Perhaps it might never have
died at all if Marget had allowed him to play his fiddle from time to
time, but it was the first part of him at which she struck. The sound
of it seemed to send her out of her mind, and even the baby greeted
it with yells. Certainly, its unearthly, quivering note, peculiarly
thin and sweet, made an almost heart-breaking wail in the little
house. He did his best to obey, but it was a long time before he
learned to keep his fingers from the strings. Often he found himself
playing without knowing that he had begun, and awoke to a chorus of
abuse and screams. He would play in the night, too, forgetting that
it was night, and then even the neighbours would start knocking at
the walls. There was always music singing in his mind, so that he did
not always know when the fiddle was singing, too. He used to wonder,
when they made so much to-do, how it was they did not hear the other
music as well. But even the red-haired baby did not seem to hear
that. Anyhow, if it did, it did not scream.
When he found that he could not play in the house, he tried to find
somewhere to play outside—down by the river, for instance, close to
the bridge. He had a rather wonderful time down there until Marget
scented him out. Sitting on a great root at the water’s edge, he
would play to the forest above and the forest beneath, until folk
came along walking through the one, while their reflections walked
through the other, down below. They used to seat themselves on the
tree-trunks near or stand about him in groups, while he played them
varsovianas and schottisches and reels. Of course there were always
children, but others came as well, and sometimes there was quite a
crowd. The music would run to the village across the fields, though
never as far as Marget’s open door. But over the river and up the
park it went as far as it liked, and as far as it liked with the
river down to the sea. On the grass at the river’s edge the sun threw
patches never twice alike, and the listening faces looked paler under
the trees. Kit, in his old clothes, was just a bit of the trunk on
which he leaned, except for the flying movements of his hands. Beside
him was the velvety water, deep black, shot and shivered by gold
patines and leaf-dances and lacy patterns and bright gleams.
Public-domain text, read in full here on John Shaqi.
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