England -- Fiction; Families -- Fiction; Farms -- Fiction; Older men -- Fiction
It was the first and only time that Marget’s children got anywhere
near his heart. Even the elder ones had forgotten to be cross and
ugly under the spell of the game. They laughed and skipped as they
watched, and sang the tune and clapped their hands with the rest. As
for the red-haired baby, Kit’s eyes followed it all the time. He
had given up the red-haired baby latest of all, and now it seemed
he had captured it at last. It seemed to him for the first time
to have a look of his own babies, who were either dead or lost in
the likenesses of men. He watched it stumbling over its own feet
and taking headers over its dirty gown. In the house it would have
screamed until it choked, but now it picked itself up without a
sound, and the solemn intensity never left its face. He watched it
tail up behind the rest until it was circled by the gaolers’ arms,
and saw its eyes widen as sentence was pronounced.
“_Off to prison she must go,
She must go, she must go!
Off to prison she must go,
(My fair Ladye!)_”
The fiddle shivered and halted and the tune nearly broke. It
seemed to him suddenly a rather cruel little game. It was not a
game, really, but a memorial to a tradition—the tradition that the
foundation-stones of London Bridge had been sprinkled with the blood
of little children. The babies were right who treated it as drama and
not play. Ever since the beginning of the world children had been
martyrs in some cause, and in the little song was the sound of all
that they had suffered through the years. When the fiddle jarred the
enchantment halted, too, and into the red-haired baby’s face came
panic fright. It was at that moment that Marget broke through the
crowd and snatched it into her arms.
The babies tumbled about her as if she had struck them down, flung
out of the magic, bewildered and alarmed. Some of them burst into
loud sobs, and even above Marget’s voice came the red-haired baby’s
cries. She hustled the crowd right and left with a fierce arm, that
seemed mighty enough to push even the Squire’s carriage out of the
way. Coachman and footman were already mere liveried backs, with a
couple of crested buttons winking in the sun. “Making such a stir in
front o’ folks’ doors,” Marget said, “and keeping the poor barns from
their tea an’ all! It was a pity folks hadn’t summat better to do
than to go dancing and singing like a German band. But there was no
sense o’ decency in yon wastrel she and her husband had to keep. You
might as well keep a dancing bear and ha’ done wi’ it right out!”
She reached Kit where he stood with a dropped bow, and caught hold of
his arm with an angry pull. He moved mechanically at her touch, and
was dragged away to the house without looking at her once. His head
swam with the violent flow of her speech and the shrieks of the baby
flung across her arm. Once he shrank, hearing a giggle out in the
crowd. But the Squire thanked him by name as he went by.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account