[Illustration: PLATE 40
"Elmwood," Pomfret, Conn. Vinton Freedley, Esq.
_From a photograph by Miss E. M. Boult_]
[Illustration: PLATE 41
Pomfret Centre, Conn. Mrs. Randolph M. Clark
_From a photograph by Miss E. M. Boult_]
[Illustration: PLATE 42
"Branford House," Groton, Conn. Morton F. Plant, Esq.]
[Illustration: PLATE 43
Pomfret Centre, Conn. Mrs. Randolph M. Clark
_From a photograph by Miss E. M. Boult_]
IV
NEW YORK
There are gardens, old and new, around the many wealthy cities of this
great State, through the upper section, near Buffalo, Utica, Syracuse,
Albany, etc., as well as to the south. It must suffice to give a few of
the most picturesque views obtainable, almost all of which belong to
places within one hundred miles of New York City.
The garden at Auburn offers a vision of flowers in glorious profusion,
combined with perfect order, which latter condition is not always easily
attainable when plants are allowed a certain amount of freedom. The
location of this garden, in western New York not far from Lake Ontario,
is in about the latitude of northern Massachusetts--a climate congenial
to flowers.
A particular type of garden often predominates in some localities on
account of the conformation of the land; as, for instance, in a
mountainous section like Tuxedo Park, where the places are scattered
over hilly woodland country, many of the gardens naturally develop into
those of terraces, or else, ideal opportunities have created the
rambling wild garden with winding paths, shaded pools, ferns and
flowers. A glimpse of one of this kind is to be had in an accompanying
illustration--an exquisite bit of semi-cultivated wildness that moves
one to wish to see beyond the picture's limits.
Among its formal gardens, Tuxedo at present has nothing more imposing
than the one at Woodland. The wall-beds contain perennials in mass
against the vine-clad background, and the central fountain is framed in
broad beds of Roses, in bush and standard form. This garden's stately
effects are enhanced by the richly developed forms of clipped evergreens
in Boxwood and various Retinosporas, to all of which age, as must ever
be the case, lends force and dignity.
The Cragswerthe garden, a spacious plan on three connecting terraces,
charmingly exemplifies the results obtainable by the exercise of good
taste upon desirable opportunities. Each terrace illustrates, in harmony
with the whole, a special beauty of its own.
Public-domain text, read in full here on John Shaqi.
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