Beauty and the Beast: An Essay in Evolutionary AestheticMcDowall, Stewart Andrew
Religion
Beauty and the Beast: An Essay in Evolutionary Aesthetic
McDowall, Stewart Andrew
Aesthetics
But the unjustified transportation of the concept of mystery from
history, where it indicates the future that the past prepares
and does not know, into philosophy, causes to be pointed as
mysteries which give rise to probabilities and conjectures,
problems that consist of philosophical terms, and should therefore
be philosophically solved. But if the infinite progress and the
infinite perfectibility of man is to be affirmed, although we do
not know the concrete forms that progress and perfectibility will
assume (not knowing them, because now it imports not to _know_, but
to _do_ them), then there is no meaning in positing as a mystery
the immortality of the individual soul, or the existence of God;
for these are not _facts_ that may or may not happen sooner or
later, but _concepts_ that must be proved to be in themselves
thinkable and not contradictory. Their thinkability will indeed be
a mystery, but of the kind that it is a duty to make clear, because
synonymous with obscurity or mental confusion. What has so far been
demonstrated has been their unthinkability in the traditional form.
Nor is it true that they correspond to profound demands of the
human soul. Man does not seek a god external to himself and almost
a despot, who commands and benefits him capriciously, nor does he
aspire to an immortality of insipid ease; but he seeks for that God
which he has in himself, and aspires to that activity which is both
Life and Death[9].
Thus Croce affirms that evolution, development, is demanded by the
very nature of spirit. In spirit the problem of the one and the
many is solved. The yearnings of man towards something higher, and
towards a unity that shall lie behind and stabilise all thought, are
but expressions of the nature of Life. The dissatisfaction of such
a thought is due to psychological illusion, comparable to a “dream
of an art so sublime that every work of art really existing would by
comparison appear contemptible.” There is no intuition that cannot
be clearly expressed; vague dreams of the Madonna of the Future end
inevitably in an empty canvas. So too, according to Croce, is a dream
of transcendence empty of content, because inexpressible; based on no
clear intuition, but on a confusion between the historical judgment and
some vague conception of the transcendental. And thus the life of the
spirit is left a mystery.
Public-domain text, read in full here on John Shaqi.
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