Beauty and the Beast: An Essay in Evolutionary Aesthetic — John Shaqi
Beauty and the Beast: An Essay in Evolutionary AestheticMcDowall, Stewart Andrew
Religion
Beauty and the Beast: An Essay in Evolutionary Aesthetic
McDowall, Stewart Andrew
Aesthetics
(5) I am always dissatisfied with Beauty, which wakes in me a sense of
longing exactly the same as the longing of an unreciprocated love. I
receive and cannot give. Yet in this beauty and this love there is joy
as well as sorrow.
(6) My life is part of an organic Whole whose ultimate meaning and
purpose is personal relationship--interpenetration. The dissatisfaction
is due to a sense of imperfect interpenetration. What is needed, and
is felt to be needed, is equal give and take--reciprocal creative
activity. Dissatisfaction comes when giving and taking are not balanced.
(7) Beauty is eternal, since the creative expression of Love
is eternal, and Love knows eternally what it is--is eternally
self-conscious. Love is relation, beauty the expression of the
immediate knowledge of that relation.
(8) This knowledge is always a new, creative act. God must continually
express His Being as Love else He would cease to be Love and so to be
at all. In Creative Expression He renews Himself. He is for Himself
ever new. And, because Love is centrifugal as well as centripetal, He
must for ever express Himself _outwards_, so to speak, in the creation
of other beings, and this His work of self-abnegation is new and
beautiful.
(9) We have hardly touched on the problem of the ugly. We have little
to add to Croce’s explanation of it as the failure of expression--as
the failure to express coherent unity--which involves the failure of
intuition. We shall just touch upon it hereafter; at the moment all we
need do is to remind ourselves that the ugliest thing in the world is
sin, because it is the failure to understand the whole, and to express
the fullest, greatest beauty.
PART II
BEAUTY IN EVOLUTION
Theories of aesthetic, so far, have paid little attention to the
development of the sense of beauty, except perhaps in the individual.
This was natural enough so long as the idea of evolution was
unformulated, or, if touched upon speculatively, played little part in
men’s general attitude to life; and since the doctrine of evolution
came to its own, little original work, beyond that of Croce, has been
done in this region. Croce touches the evolutionary aspect but lightly,
though it is implicit in his identification of History with Philosophy:
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