Beauty and the Beast, and Tales of HomeTaylor, Bayard
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Beauty and the Beast, and Tales of Home
Taylor, Bayard
Short stories; United States -- Social life and customs -- 19th century -- Fiction
The Princess could never afterwards describe, or more than dimly recall,
the exaltation of that moment. She sang in an inspired trance: from the
utterance of the first note the horror of the imminent fate sank out of
sight. Her eyes were fixed upon the convulsed face, but she beheld it
not: all the concentrated forces of her life flowed into the music. She
remembered, however, that Prince Alexis looked alternately from her face
to the portrait of his wife; that he at last shuddered and grew
pale; and that, when with the closing note her own strength suddenly
dissolved, he groaned and fell upon the floor.
She sat down beside him, and took his head upon her lap. For a long time
he was silent, only shivering as if in fever.
“Father!” she finally whispered, “let me take you away!”
He sat up on the floor and looked around; but as his eyes encountered
the portrait, he gave a loud howl and covered his face with his hands.
“She turns her head!” he cried. “Take her away,--she follows me with her
eyes! Paint her head black, and cover it up!”
With some difficulty he was borne to his bed, but he would not rest
until assured that his orders had been obeyed, and the painting covered
for the time with a coat of lamp-black. A low, prolonged attack of fever
followed, during which the presence of Helena was indispensable to his
comfort. She ventured to leave the room only while he slept. He was like
a child in her hands; and when she commended his patience or his good
resolutions, his face beamed with joy and gratitude. He determined (in
good faith, this time) to enter a monastery and devote the rest of his
life to pious works.
But, even after his recovery, he was still too weak and dependent on his
children's attentions to carry out this resolution. He banished from the
castle all those of his poor relations who were unable to drink vodki in
moderation; he kept careful watch over his serfs, and those who
became intoxicated (unless they concealed the fact in the stables and
outhouses) were severely punished: all excess disappeared, and a reign
of peace and gentleness descended upon Kinesma.
In another year another Alexis was born, and lived, and soon grew strong
enough to give his grandfather the greatest satisfaction he had ever
known in his life, by tugging at his gray locks, and digging the small
fingers into his tamed and merry eyes. Many years after Prince Alexis
was dead the serfs used to relate how they had seen him, in the bright
summer afternoons, asleep in his armchair on the balcony, with the rosy
babe asleep on his bosom, and the slumber-flag waving over both.
Legends of the Prince's hunts, reisaks, and brutal revels are still
current along the Volga; but they are now linked to fairer and more
gracious stories; and the free Russian farmers (no longer serfs) are
never tired of relating incidents of the beauty, the courage, the
benevolence, and the saintly piety of the Good Lady of Kinesma.
TALES OF HOME.
THE STRANGE FRIEND.
Public-domain text, read in full here on John Shaqi.
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