Beauty and the Beast, and Tales of HomeTaylor, Bayard
General
Beauty and the Beast, and Tales of Home
Taylor, Bayard
Short stories; United States -- Social life and customs -- 19th century -- Fiction
An orchestra, composed principally of horns and brass instruments,
occupied a separate gallery at one end of the dining-hall. The guests
were assembled in the adjoining apartments, according to their rank; and
when the first loud blast of the instruments announced the beginning of
the banquet, two very differently attired and freighted processions of
servants made their appearance at the same time. Those intended for the
princely table numbered two hundred,--two for each guest. They were
the handsomest young men among the ten thousand serfs, clothed in loose
white trousers and shirts of pink or lilac silk; their soft golden
hair, parted in the middle, fell upon their shoulders, and a band of
gold-thread about the brow prevented it from sweeping the dishes
they carried. They entered the reception-room, bearing huge trays of
sculptured silver, upon which were anchovies, the finest Finnish caviar,
sliced oranges, cheese, and crystal flagons of Cognac, rum, and kummel.
There were fewer servants for the remaining guests, who were gathered
in a separate chamber, and regaled with the common black caviar, onions,
bread, and vodki. At the second blast of trumpets, the two companies set
themselves in motion and entered the dining-hall at opposite ends. Our
business, however, is only with the principal personages, so we will
allow the common crowd quietly to mount to the galleries and satisfy
their senses with the coarser viands, while their imagination is
stimulated by the sight of the splendor and luxury below.
Prince Alexis entered first, with a pompous, mincing gait, leading the
Princess Martha by the tips of her fingers. He wore a caftan of green
velvet laced with gold, a huge vest of crimson brocade, and breeches
of yellow satin. A wig, resembling clouds boiling in the confluence of
opposing winds, surged from his low, broad forehead, and flowed upon
his shoulders. As his small, fiery eyes swept the hall, every servant
trembled: he was as severe at the commencement as he was reckless at
the close of a banquet. The Princess Martha wore a robe of pink
satin embroidered with flowers made of small pearls, and a train and
head-dress of crimson velvet.
Her emeralds were the finest outside of Moscow, and she wore them all.
Her pale, weak, frightened face was quenched in the dazzle of the green
fires which shot from her forehead, ears, and bosom, as she moved.
Public-domain text, read in full here on John Shaqi.
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