Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
“I’ll not risk passing that window,” he muttered. “It was a mean trick,
but it served the meddling fool right. I wonder which one of us lied
the more? And I never saw Amy look so bewitching!”
III
GRINDSTONES
“Yet each man kills the thing he loves,
By each let this be heard;
Some do it with a bitter look,
Some with a flattering word.
The coward does it with a kiss,
The brave man with a sword.”
--_Oscar Wilde._
It was nearly nine o’clock in the evening when the young ladies entered
the fashionable boarding-house drawing-room. Madame Recamier’s, on the
upper West Side, was large enough to defy the heated spell; yet the
group seemed languid on this tepid night in June, fluttered fans and
were not disposed to chatter. No one had called. Miss Anstruther, a
brilliant brunette, cried out:
“Oh, my kingdom for a man!” Mild laughter was heard. The girl went to
the grand piano and said: “What shall it be?”
“No Chopin,” exclaimed Miss Beeslay.
“Do play a Chopin nocturne. Why, it’s the very night for nocturnes.
There’s thunder in the air,” protested Miss Pickett.
“Listen to Anne. Isn’t she poetic--” By this time the young women were
quite animated. Tea served, Madame Recamier sent down word by the
black page to ask Miss Anstruther for a little music. The dark girl
pouted, yawned, and finally began the nocturne in F minor. Before she
had played two bars the door-bell rang, and its echoes were not stilled
before a silvery gong sounded somewhere in the rear. The drawing-room
was instantly deserted.
Presently the page brought in two young men, both in evening dress.
“We should like to see Miss Anstruther and Miss Pickett,” said the
delicate-looking fellow. “Say that Mr. Harold and a friend are here.”
The page departed. Mr. Harold and his companion paced the long
apartment in a curious mood.
“Tea! They don’t drink tea, do they?” asked the other man, a tall
blond, who wore his hair like a pianist.
“I’m afraid that’s all we’ll get, Alfred; unless Madame Recamier comes
down-stairs or else is magnetized by your playing. She keeps a mighty
particular boarding-house.”
“For God’s sake, Ned, don’t ask me to touch a piano. I’ve only come
with you because you’ve raved about this dark girl and her playing.
There they are!” Two came in; introductions followed, and the
conversation soon became lively.
“We drink tea,” said Anne Pickett, “because Madame Recamier believes it
is good for the complexion.”
Public-domain text, read in full here on John Shaqi.
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