Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
“You have a hygiene like a young misses’ school, haven’t you?” said
Ned, while Harold, fascinated by the rather gloomy beauty of Miss
Anstruther, watched closely and encouraged her talk. She had a square
jaw; her cheek-bones were prominent. She was not pretty. The charm of
her face--it was more compelling than charming--lay in her eyes and
mouth. Brown, with a hazel nuance, the eyes emitted a light like a
cat’s in the dark. Her mouth was a contradiction of the jaw. The lips
were full and indicated a rich, generous nature, but the mask was one
of a Madonna--a Madonna who had forsaken heaven for earth. Harold found
her extremely interesting.
“Of course, you are musical?” he asked.
“Yes; I studied at Stuttgart, and have regretted it all my life. I can
never get rid of the technical stiffness.”
“Play for me,” he begged. But playing was not to the girl’s
disposition. Sultry was the night, and a few faint flashes of
heat-lightning near the horizon told of a storm to come. Anne Pickett
was laughing very loudly at her companion’s remarks and did not appear
to notice the pair. Several times, at the other end of the long
drawing-room, eyes peeped in, and once the black page put his head in
the door and coughed discreetly.
It seemed a dull hour at Madame Recamier’s.
Suddenly Harold placed his hand on Miss Anstruther’s and said: “Come to
the piano,” and, as one hypnotized, she went with him. He lifted the
fall-board, put back the lid, glanced carelessly at the maker’s name,
and fixed the seat for the young woman. Anne Pickett was watching him
from the other side of the room.
“Who’s your friend? He acts like a piano man. There were three here
last night.”
“H’sh!” said Ned, as the pianist struck a firm chord in C-sharp minor
and then raced through the Fantaisie-Impromptu. The man beside her
listened and watched rather cynically as her strong fingers unlaced the
involved figures of the music. That he knew the work was evident. When
she had finished he congratulated her on her touch, observing: “What a
pity you don’t cultivate your rhythms!” She started.
“You are a musician, then?” Before he could answer, the page came
in and whispered in her ear: “Madame Recamier wants to know if the
gentlemen will have some wine.”
Miss Anstruther blushed, got up from the piano and walked toward the
window. Harold followed her, and Miss Pickett called out: “Ned, we can
have some champagne; old Mumsey says so.”
When Harold reached the girl she was leaning out of the window
regarding the western sky. Darkness was swallowing up the summer
stars: he put his hand on her shoulder, for she was weeping silently,
hopelessly.
“How can you stand it?” he murmured, and the ring in his voice caused
the girl to turn about and face him, her eyes blurred but full of
resentment.
“Don’t pity me--don’t pity me; whatever you feel, don’t pity me,” she
said in a low, choked voice.
Public-domain text, read in full here on John Shaqi.
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