Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
with her soul on the broad torrent of Chopin’s magic music. She was
enthralled, she was hurt; her heart stuck against her ribs and it
pained her to breathe. When the last harp-like figure had flattened her
to the very wall, she sank back in her chair and closed her eyes.
“Ho, Margery, wake up; your wine’s getting warm!” cried lively Anne
Pickett as she sipped her glass, and Ned rang the bell for the page.
Harold sat self-absorbed, his hands resting on the ivory keys. He
divined that he had won the soul of the woman who sat near him, and
he wondered. He looked at her face, a strong face, in repose with a
few hard lines about the eyes and mouth. He gazed so earnestly that
she opened her eyes, and catching his regard, blushed--blushed ever so
lightly. But he saw it and wondered again. More wine came, but Miss
Anstruther refused and so did Harold. By this time the other pair were
jolly. Ned called out:
“Harold, play something lively. Wake up the bones, old man! Your girl
isn’t getting gay.” Harold looked at her, and she walked slowly toward
the conservatory. Miss Pickett, crazy Anne, as they called her, went to
the piano and dashed into a lively galop. Ned drank another glass of
wine and began to dance from the end of the room to the piano.
“Come on, let’s have a good racket!” he yelled, as the piano rattled
off in rag-time while Miss Anstruther and Harold sat on near the
conservatory. The whispering increased behind them, but the girl
did not hear it. The music unlocked her heart, and her commonplace
surroundings faded. If she had but met a man like him that other time!
She realized his innate purity, his nobility of nature. Little wonder
that his playing aroused her, made live anew the old pantomime of her
life. She unconsciously placed in the foreground of her history the
figure of the man beside her, yet she had never before seen him. It was
wonderful, this spiritual rebirth. Only that morning she told the girls
at breakfast she could never love again--she hated men and their ways.
“They are animals, the best of them!” and Madame Recamier laughed the
loudest.
Harold left her, took another glass of wine, and seeing Miss Pickett
light a cigarette, asked permission to do the same.
“Can’t I bring you another glass of wine?” Harold tenderly asked. The
gang of girls in the conservatory nudged one another and stared with
burning eyes at Miss Anstruther through the lattice. She gently shook
her head, and again he saw her blush. She did not stir. He began the
luscious nocturne in B--the Tuberose Nocturne, and Madame Recamier’s
gong sounded. The page entered and said:
“No more piano playing to-night. Madame wants to sleep.”
Miss Anstruther started so angrily that there was a titter behind the
lattice. But she did not notice it; her whole soul was bent on watching
Harold. He spoke to Ned, and Miss Pickett’s jarring laugh was heard.
Public-domain text, read in full here on John Shaqi.
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