Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
Then he went over to her, and, sitting down beside her, leaned and
touched her face with his finger. The girl grew white and she felt her
heart beat. At the next word, the old, tired, cold look came back, and
she faced him as she had first received him.
Then suddenly the laughter behind the lattice grew noisy. Anne Pickett
screamed out:
“Another of Margery’s dreams shattered!”
Ned laughed and rang for more wine.
As they came down the steps the next morning Harold said to Ned:
“My boy, there are worse crimes than murdering a woman.”
“Oh, let’s get a cocktail,” croaked Ned.
IV
VENUS OR VALKYR?
Paul Godard found the ride between Nuremberg and Baireuth
discomforting. The hot July breezes that blew into the first-class
coupé of the train were almost breath-arresting; and Paul had left
Stuttgart that morning in a savage mood. The slowness of the railway
service irritated him, the faces of his travelling companions irritated
him, and he had shocked an Englishman by remarking early in the
afternoon:
“If the old engine doesn’t run any faster than this we had better get
out and walk, or--push.”
The other simply peered at the speaker and then resumed Wolzogen’s book
on Leading-Motives.
Three Roumanian ladies laughed in oily Eastern accents. They understood
English, and the sight of a human being, a strong young man, in a
passion about such a little matter as European railroad punctuality
struck them as ridiculous. So they laughed again and Paul finally
joined in, for he was an American.
He had been rude, but he couldn’t help it; besides, it looked as if
they would reach Baireuth too late for the opening performance, and
his was the laughter of despair.
The youthful pilgrim journeying to Baireuth was born in New York. He
had studied music like most young people in his country, and had begun
with that camel, that musical beast of all burdens, the piano. This
he practised most assiduously at intervals, because he really loved
music; but college, lawn-tennis, golfing, dancing, and motor-boating
had claims not easily put aside. Naturally, the piano suffered until
Paul left college; then for want of something better to do he took
lessons from Joseffy and edified that master by his spurts of industry.
His club began to encroach on his attention, and again the piano was
forgotten. Paul, whose parents were rich, was not a society butterfly,
but his training, instincts, and associations forced him to regard a
good dinner, a good tailor, and a racing motor-car as necessary to his
existence. From his mother he inherited his love of music, and his
father, dead many years, had bequeathed him a library; better still, a
taste for reading.
An average cultivated American, intensely self-conscious, too
self-conscious to show himself at his best, ashamed of his finer
emotions, like most of his countrymen, and a trifle spoiled and shallow.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account