Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
“Voilà! Baireuth, the Wagner theatre!” and they all craned their necks
to catch the first glimpse of that mystic edifice built on the hill,
the new musical Pantheon, the new St. Peter’s of the Bewitched Ones.
And the Englishman continued to calmly read about the Loki-motif as the
train slowly steamed into Baireuth.
III
Paul found comfortable lodgings in the Lisztstrasse and his new friends
went to the Hotel Sonne. At half-past four he was up on the hill
looking at the world, and as immaculately dressed as if he stood in
the bow window of the Calumel Club, ogling Fifth Avenue girls. He was
only vaguely interested in the approaching performance, and his pulses
did not quicken when Donner’s motif told the gabbling, eager throng
that the great Trilogy was about to unfold its fables of water, wood,
and wind. He took his seat unconcernedly, and then the house became
black and from space welled up those elemental sounds, not merely
music, but the sighing, droning swish of waters. The Rhine calmly,
majestically stole over Paul’s senses, he forgot New York, and when
the curtains parted he was with the Rhine Daughters, with Alberich,
and his heart seemed to stop beating. All sense of identity vanished
at a wave of Wagner’s magic wand, and not being a music-critic, his
ego was absorbed as by the shining mirror in the hand of a hypnotist.
This, then, was Wagner, a Wagner who attacked simultaneously all the
senses, vanquished the strongest brain, smothered, bruised, and smashed
it; wept, sang, surged, roared, sighed in it; searched and ravished
your soul until it was put to flight, routed, vanquished, and brought
bleeding and captive to the feet of the master.
The eye was promise-crammed, the ears sealed with bliss, and Paul
_felt_ the wet of the waters. He panted as Alberich scaled the slimy
steeps, and the curves, described by the three swimming mermaids,
filled him with the joy of the dance.
The rape of the Rhinegold, the hoarse shout of laughter from
Alberich’s love-forsworn lips, and the terrified cries of the three
watchers were to Paul as real as Wall Street.
Public-domain text, read in full here on John Shaqi.
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