Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
Walhall didn’t bore him, and he began at last to catch faint clues of
the meaning of the mighty epic. He went to the underworld, and saw
the snake, the ring, and the tarnhelm; he heard the anvil chorus--so
different from Verdi’s!--he saw the giants quarrelling over their
booty, and the rainbow seemed to bridge the way to another, brighter
world. As the Walhall march died in Paul’s ears he found himself in the
open air, and he thought it all over as he slowly went with the crowd
down the hill, that new Mount of Olives trod by the feet of musical
martyrs. He had a programme, but he was too confused, too overcome by
the clangor of his brain-particles, to read it. He was not dreaming,
nor yet was he awake; he was Wagnerized. The first attack is not always
fatal, but it is always severe, even to the point of pain. Paul Godard
had become a Wagnerite, and his Nietzsche and Schopenhauer skins melted
from him as melts the snow in sunshine.
Striking through his many exalted moods was the consciousness of having
recognized one of the Rhine Daughters. It was the contralto, an Eastern
girl from Maine. Rue Towne was her odd name, and she had been once
a pupil of a New England vocal school, but she had lived that down,
and after the usual hard, interesting struggle abroad she had reached
Baireuth. Paul remembered her well. A blonde girl, eyes indescribably
gray, with dark lashes, a face full of interesting accents, a rhythmic
chin and cheek-bones that told of resolution. Her figure was lovely,
and Paul resolved to call on her the very next day.
He soon discovered Rue’s address; Baireuth is small and full of
information for the curious. Paul on Monday morning went to the
Alexanderstrasse, where she resided, only to find her at a rehearsal of
Die Walküre. He was rather put out, as he was accustomed to accomplish
what he wanted without much exertion. He then bethought him of Helena,
the Roumanian beauty, and he warmed at the recollection of a glance he
had received the afternoon previous. That, and the hand pressure, had
been unmistakable. So he went to the Sonne Hotel and sent up his card.
The three ladies were at breakfast. Would Mr. Godard call in an hour?
Public-domain text, read in full here on John Shaqi.
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