Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
In the long intermission Paul found Helena and took her to the crowded
café across the road to get something to eat and drink. It was a
quarter after seven, and Wagner wears on the stomach. Even a poetical
Roumanian girl has earthly appetites. So they drank champagne and ate
pasties of goose liver, and confessions were many. Nothing establishes
a strong bond of sympathy like the hunger and thirst of two healthy
young humans. Paul seemed to have forgotten Rue and the splendour of
her hair and complexion. He was rapidly losing his head in the subtle
blandishments of the Eastern woman. He saw that she was a coquette, but
her seriousness, her fierceness, that broke through the shell of silky
manners, gave him a glimpse of a woman worth winning, and he was just
gambler enough, American enough to dare. When he left her he carried
away a look that was an unequivocal challenge.
Paul’s brain was on fire during the Ride of the Valkyries, and hardly
realized that it was Hans Richter’s masterly reading. The stage failed
to interest him until he discovered Rue in Valkyrean garb, and then
he watched with his soul in his eyes. Her profile, so charming in its
irregularity; her freedom of pose, her heroic action filled him with
admiration. By the light from the stage he read her name, Fräulein Rue
Towne, and she was the last in the list of the Valkyries. He watched
with indifferent gaze the close of the act, and mentally voted the
Paris version of the Magic-Fire scene far superior to Baireuth’s.
He went toward the Hotel Sonne, as he had promised to sup with Helena,
and wondered how he could see Rue that night. The American girl seemed
something infinitely sweet, healthy, sun-swept in nature compared with
her Slavic rival.
“By Jove,” said Paul aloud, “it’s a case of rouge et noir, and I’m in
for it and no mistake.” Paul was fond of polyphony.
IV
After supper he suggested to Helena the Sammet Garden. The artists
always flocked there and it might prove interesting. Although a
chaperon was a necessity, Helena persuaded the princess that she could
go out just once in the American fashion. It would be so novel. Paul
pleaded and, of course, won. The young people hardly spoke as they went
down the dark street to the garden. The air was full of electricity. A
touch, a glance, and a storm would be precipitated. So they reached the
garden and found a seat near enough the house to be tortured by Herr
Sammet’s crazy trombone. At the same table was a black-bearded little
man dressed in white flannels.
“It is the Sâr Peladan; I know him by his musk,” said Helena
discontentedly, and they changed their seats.
“What a decadent you are!” said Godard laughingly.
Public-domain text, read in full here on John Shaqi.
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