Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
“Yes. I believe sometimes I can think with my nose, my smelling sense
is so keen. I can almost divine approaching enemies. Who is that girl
staring at you so hard, M. Godard, a very pretty blonde; she looks
like an American? No, not near the house--there, over there!” Helena
reminded Paul of a cat that lifts a threatening furry back when she
scents a hostile dog.
“Oh, Lord!” he groaned. “It must be Rue. That settles me for good.” It
was Rue, and she had never looked lovelier. The slight bruise under
her eyes betokened emotional exhaustion. She was dressed in white, and
the simplicity of her gown and its charming fit made the German women
plainer. Paul’s heart knocked against his ribs as he returned her
constrained bow. He saw that she had quietly and earnestly examined
Helena, and as the eyes of the women met antagonism kindled. But the
American girl was mistress of herself. She began to talk to the group
of artists about her, while Helena sulked and glowered at Paul’s too
openly expressed admiration.
“You admire your own countrywomen, do you not, M. Godard?” she asked,
and the inflection in her voice was cruelly sarcastic. Before Paul
could answer she touched his arm softly and said:
“If you can’t look at me when I talk to you, why, you may take me home.”
Paul at once begged her pardon, called for his reckoning and they
prepared to leave the garden. He did not again salute Rue Towne, for
she was talking earnestly to an ugly old fat man with a grey beard and
a Wagnerian forehead half a foot high. But from the tail of his eye he
saw that she was fully conscious of his departure. Scarlet spots came
into her face, and as Paul walked down the garden steps he felt as if
two eyes burned into his back. Then he did what other desperate men
have done under similar circumstances. He made violent love to Helena,
and it relieved the pain of his heart. But the girl was capricious,
and only by dint of magnificent lying did he finally force her hand
into his. They were now walking toward the Hofgarten, down a deserted
street. The many bells of Baireuth told them that it was a quarter past
eleven, and the moon rode tenderly in the blue. It was a night made
for soft vows and kisses, and as Paul walked he thought of Rue; Helena
fell to dreaming of the prince in her native Roumania who had played
the weakling to her strong woman’s heart, and thus the pair reached the
hotel, and after a brief parley at its door said good night and parted.
O blessed love, that can at least console two hearts glowing for the
absent!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account