Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
That little girl down Boston way, who had mastered William James and
Boris Sidis before she was in her teens, behaved badly one afternoon.
Possibly it was the sultry weather, or growing pains--in the psychic
sphere, of course--or, perhaps, it may have been due to the reflexes
from prolonged attention to the Freudian psycho-analysis and the
significance of Twilight Sleep; but whatever the cause, that precocious
child flew off her serene handle and literally “sassed” the entire
household. The tantrum over--she afterward described it as a uric-acid
storm--and order reigning once more in Bach Bay, she was severely
interrogated by her male parent as to the whys and wherefores of her
singular deviation from accustomed glacial intellectual objectivity.
Her answer was in the proper key: “My multiple personalities failed to
co-ordinate. Hence the distressing lack of centripetal functioning.”
She was immediately forgiven. Multiple personalities are to blame for
much in this vale of tears; that is, if you are unlucky or lucky enough
to be possessed of the seven devils of psychology.
Mary Garden was, no doubt, a naughty little girl in her time. That she
climbed trees, fought boys twice her size, stuck out her tongue at
pious folk, scandalized her parents, and tore from the heads of nice
girls handfuls of hair, I am sure. Hedda Gabler thus treated gentle
Thea Elvstad in the play. But was this demon Mary aware of her multiple
personalities? Of her complexes? Her art fusion is such perfect
synthesis. Subconscious is nowadays an excuse for the Original Sin with
which we are saddled by theologians.
Well, one bad turn deserves another, and we may easily picture the wild
Scottish thistle defiantly shrugging shoulders at law and order. She
did not analyze her Will-to-Raise-Merry-Hell. No genius of her order
ever does. There had been signs and omens. Her mother before her birth
had dreamed wonderful dreams; dreamed and prayed that she might become
a singer. But even maternal intuition could not have foreseen such a
swan triumphantly swimming through the troubled waters of life. A swan,
did I say? A condor, an eagle, a peacock, a nightingale, a panther, a
society dame, a gallery of moving-pictures, a siren, an indomitable
fighter, a human woman with a heart as big as a house, a lover of
sport, an electric personality, and a canny Scotch lassie who can
force from an operatic manager wails of anguish because of her close
bargaining over a contract; in a word, a Superwoman.
Public-domain text, read in full here on John Shaqi.
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