Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
Proofs from life gay pagan Anatole does not demand. He has the
hesitations of profound erudition. Possessing the gift of paradox, he
rejoices in his philosophic indifferentism. Notwithstanding his famous
phrase, “the mania of certitude,” Renan was ever pursued by the idea of
an Absolute. He cried for proof. To Bertholet he wrote: “I am eager for
mathematics.” To him numbers promised rigid reality. Not so, however,
to M. France, who could have asked with Ibsen whether two added to two
do not make five on the planet Jupiter! To Montaigne’s “What know I?”
he opposes the injunction of Rabelais: “Do what thou wilt!” Of Plato
he might have asked, “What is Truth?” and if Plato in turn would have
posed the same question, Anatole could reply by handing him a copy of
Jardin d’Epicure, that perfect breviary of Anatolian scepticism. In
Socrates perhaps he would discover a congenial companion; yet he might
mischievously allude to Montaigne “concerning cats,” or quote Aristotle
as to the form of hats. And then we spy him adorning the Wheel of Ixion
with garlands. A wilful child of belles-lettres and philosophy, M.
France always may be expected to utter the starting, lucent phrase.
He believes in the belief of God. By the gods of all times and climes
he swears. His the cosmic soul. A man who infuses into his tales
something of the Mimes of Herondas, La Bruyère’s Characters, and
the Lucian Dialogues, with faint flavors of Racine and La Fontaine
superadded, may be pardoned his polychromatic faiths. This chromatism
in creeds, a trust in all or none, is rather diverting. But the
classic world of thought shows several exemplars for M. France, from
the followers of Aristippus to the Sophists. Nevertheless, there is
a specific note of individuality, a roulade altogether Anatolian in
the Parisian. No one but this accomplished sceptic could have devised
The Opinions of Jerome Coignard, and his scheme for a Bureau of
Vanity (Villiers de l’Isle Adam invented a machine for manufacturing
glory). “Man is an animal with a musket,” declares Anatole. Here is a
morsel for hypocrites: “Even virtue may be unduly praised. Since it
is overcoming which constitutes merit, we must recognize that it is
concupiscence which makes saints.” This sounds like William Blake done
into choice French; Blake who has said that “the fool cannot enter the
kingdom of heaven be he ever so pious”; that Blake who believed that
the road to wisdom lies through the valley of excess.
Public-domain text, read in full here on John Shaqi.
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