the road without seeing the beautiful flower blossoming close by.' ...
It was in May, 1806, that I became betrothed to him with the ready
consent of my dear brother Franz."
The _Fourth Symphony_ composed in this year is a pure fragrant flower
which treasures up the perfume of these days, the calmest in all his
life. It has been justly remarked that at this time "Beethoven's desire
was to reconcile his genius as far as possible with what was generally
known and admired in the forms handed down by his predecessors.[27]"
The same conciliating spirit springing from this love re-acted on
his manners and his way of living in general. Ignaz von Seyfried and
Grillparzar say that he was full of life, bright, happy and witty,
courteous in society, patient with tedious people and careful in his
dress. Even his deafness was not noticed, and they say that he was
in good health with the exception of his eyesight, which was rather
weak.[28] This strikes one in looking at Mahler's portrait of him
painted at this time, in which he is represented with an elegance
unusual for him and a romantic, even slightly affected look. Beethoven
wishes to please, and rather fancies himself in doing so. The lion is
in love; he draws in his claws. But one feels deep beneath under all
this playfulness, the imagination and tenderness of the Symphony in B
flat, the tremendous force, the capricious humour and the passionate
temper of his nature.
This profound peace was not destined to last although love exercised
its soothing influence until 1810. Beethoven doubtless owed to it
the self-mastery which at this period enabled him to produce some of
the most perfect fruits of his genius; that great classical tragedy,
the Symphony in C minor and that delicious idyll of a summer's day:
the Pastoral Symphony, 1808.[29] The Sonata Appassionata, inspired by
Shakespeare's _Tempest_,[30] the Sonata which he himself regarded as
his most powerful one, appeared in 1807 and was dedicated to Theresa's
brother. To Theresa herself he dedicated the dreamy and fantastic
Sonata in F sharp, Opus 78 (1809). An undated letter[31] addressed to
his "Immortal Beloved" expresses the intensity of his love no less
strongly than does the _Sonata Appassionata_.
July (1801).
"My Angel, my all, my very self.
Public-domain text, read in full here on John Shaqi.
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