"Beethoven was always trying to express _himself_; yet not, be it said, so much any little phase of himself or of his feelings, as the total of his life-experience. He was always trying to reach down and get the fullest, deepest utterance of which his subject in hand was capable, and to relate it to the rest of his experience. But being such as he was, and a master-spirit of his age, when he reached into himself for his own expression, he reached to the expression also of others--to the expression of all the thoughts and feelings of that wonderful revolutionary time, seething with the legacy of the past and germinal with the hopes and aspirations of the future. Music came to him rich already with gathered voices; but he enlarged its language beyond all precedent for the needs of a new humanity."--_Ibid_, pp. 146-7. "Bettina Brentano, writing to Goethe of Beethoven, says: 'I am, indeed, only a child, but I am not on that account wrong in saying (what perhaps no one yet perceives and believes) that he far surpasses the measure of other men. Shall we ever attain to him? I doubt it. May he but live till the lofty problem of his spirit be fully solved; let him but reach his highest aim, and he will put into our hands the key to a glorious knowledge which shall bring us a stage nearer to true blessedness.... He said himself, "I have no friend, I must live alone; but I know that in my heart God is nearer to me than to others. I approach him without fear, I have always known him. Neither am I anxious about my music, which no adverse fate can overtake, and which _will free him who understands it from the misery which afflicts others_".' "These are wonderful words which are put into Beethoven's mouth. Though their authenticity has been doubted, it is difficult, almost impossible, to suppose that the 'child' or any one else invented them. On the other hand, they agree strangely with those authentic words of his already quoted, 'Every day I come nearer to the object which I can feel though I cannot describe it.'