Debarred by the limited income at their disposal from taking any
prominent part in political life, cut off from ordinary domestic ties
and interests, the archbishops were driven to seek compensation for
these deprivations in some favourite pursuit; and to their credit be it
said, not the delights of the chase or the table alone engaged their
attention. The old genius of appreciation of art transferred its
presence from the Arno to the Rhine, and began to exert in the Electors
of Cologne an influence of great importance in the æsthetic development
of Germany.
The four last Electors especially distinguished themselves, and shed a
lustre on their court, by the number of talented men they drew around
them, and the liberal patronage they bestowed on music and the drama.
Joseph Clemens, the first of these, was himself a composer, after the
usual fashion of royal dilettanti, no doubt, but a keen discerner of
talent in others.
His successor, Clemens August, had passed his youth in Rome, where,
although modern taste was on the decline, the imperishable monuments of
art by which he was surrounded seem to have breathed something of their
own spirit into him. He did a great deal towards beautifying the town of
Bonn; built, besides churches and cloisters, an immense palace, the
present university, and greatly enlarged the villa of Poppelsdorf, now
the Natural History Museum. His household was conducted on the most
magnificent scale, grand fêtes were of common occurrence, and his court
was thronged by celebrities of every rank.
Especially did the reputation of the court music stand high. The
archbishop, like his predecessor, was a connoisseur, and selections from
the operas of Handel and the cantatas of Sebastian Bach were performed
at Bonn in a style worthy of the imperial court at Vienna.
It was to this brilliant little capital, then, that young Ludwig van
Beethoven made his way in the year 1732, with a light heart and still
lighter purse, and begged for an engagement as one of the court
musicians, which distinction, after the customary year's probation, was
formally granted him, with an annual stipend of four hundred guldens, at
that time considered a very good income for so young a man.
Public-domain text, read in full here on John Shaqi.
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