Beethoven and His ForerunnersMason, Daniel Gregory
History
Beethoven and His Forerunners
Mason, Daniel Gregory
Beethoven, Ludwig van, 1770-1827; Music -- 18th century -- History and criticism; Music -- 19th century -- History and criticism
Combined with the mental originality, the habit of deciding all
questions for himself and as if they had never before received
solutions, which made Beethoven so pronounced a non-conformist in all
matters from his toilet to his religion, was a physical peculiarity
that underlay much of what was grotesque about him. This was the
nervous irritability inherited from his grandmother. His moodiness,
his sudden alternations of depressed and excited states, his bursts
of uncontrollable anger, his wild pranks and practical jokes, were
almost beyond doubt the result of an unstable nervous system. So
restless was he that he was continually changing his lodgings; once it
was because there was not enough sun, again because he disliked the
water, another time because his landlord insisted on making him deep
obeisances; in the later part of his life, when his habits were well
known, he had difficulty in finding rooms anywhere in Vienna. He put
little restraint upon his tongue; Schindler says that “the propriety
of repressing offensive remarks was a thing that never entered his
thoughts.” After hearing a concerto of Ries, he wrote a furious letter
to a musical paper, enjoining Ries no longer to call himself his pupil.
This his friends persuaded him not to send. He was so impatient that
he often took the medicines intended for an entire day in two doses;
so absent-minded that he often forgot them altogether. A badly cooked
stew he threw at the waiter, eggs that were not fresh at the cook. To
a lady who had asked for a lock of his hair he sent, at the suggestion
of a friend, a lock cut from a goat’s beard; and when the joke was
discovered he apologized to the lady, but cut off all intercourse with
the friend. An English observer wrote that “One unlucky question, one
ill-judged piece of advice, was sufficient to estrange him from you
forever.” Even on his best friends and his patrons, he wreaked his
ill-humors. When Prince Lobkowitz, to whom he owed much, had been so
unfortunate as to offend him, he went into his court-yard, shook his
fist at the house, and cried “Lobkowitz donkey, Lobkowitz donkey.” It
is not hard to see why casual acquaintances, who knew nothing of the
noble qualities behind his stormy and perverse exterior, frequently
thought him mad.
Public-domain text, read in full here on John Shaqi.
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