Beethoven and His ForerunnersMason, Daniel Gregory
History
Beethoven and His Forerunners
Mason, Daniel Gregory
Beethoven, Ludwig van, 1770-1827; Music -- 18th century -- History and criticism; Music -- 19th century -- History and criticism
Nor will it be difficult, after this brief summary of Beethoven’s
fundamental traits, to understand the formidable effect that
deafness, coming upon him slowly but relentlessly in early manhood,
when intellectual achievement and social and personal happiness
seemed equally attainable, exercised upon his character. Naturally
self-dependent, deafness made him self-absorbed; naturally proud,
it made him so sensitive to imagined slights, so suspicious of even
his best friends, that he would at times refuse all intercourse with
people; naturally taking keenest joy in intellectual activity, this
physical disability forced him, while gradually renouncing social
pleasures, to throw himself with ever greater concentration and
completer devotion into his work. All these effects of his deafness
are clearly discernible in the letters written about 1800. “I can with
truth say,” he writes in that year, “that my life is very wretched; for
nearly two years past I have avoided all society, because I find it
impossible to say to people, _I am deaf_!” “Plutarch,” he continues,
“led me to resignation. I shall strive if possible to set Fate at
defiance, although there must be moments in my life when I cannot fail
to be the most unhappy of God’s creatures.... Resignation!--what a
miserable refuge! and yet it is my sole remaining one.” And still later
in the same letter: “I live wholly in my music, and scarcely is one
work finished when another is begun; indeed, I am now often at work on
three or four things at the same time.”
Many such passages occur in the letters of this period, but in none
does the pathetic mingling of almost despairing wretchedness with
a noble courage that will not despair become so striking as in the
remarkable document known as “Beethoven’s Will,” written to his
brothers in the fall of 1802. The summer had been a trying one, and
at the end of it Beethoven, apparently half expecting and a little
desiring death, yet dreading its interruption of his beloved work,
uttered this cry of pain, which deserves to be quoted almost entire:
HEILIGENSTADT, Oct. 6, 1802.
TO MY BROTHERS CARL AND JOHANN BEETHOVEN.
O! you who think or declare me to be hostile, morose, and
misanthropical, how unjust you are, and how little you know the secret
cause of what appears thus to you! My heart and mind were ever from
childhood prone to the most tender feelings of affection, and I was
always disposed to accomplish something great. But you must remember
that six years ago I was attacked by an incurable malady, treated by
unskilful physicians, deluded from year to year by the hope of relief,
and at length forced to the conviction of a _lasting affliction_
(the cure of which may go on for years, and perhaps after all prove
impracticable).
Public-domain text, read in full here on John Shaqi.
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