Beggars on HorsebackJesse, F. Tennyson (Fryniwyd Tennyson)
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Beggars on Horseback
Jesse, F. Tennyson (Fryniwyd Tennyson)
Fiction; Short stories, English
The air was very clear, and to the long sight with which Sophia was
seeing, seemed preternaturally so, as though everything were set in a
vast crystal which made visible each pebble and grass-blade. A numbness
stole over her body, her hands ached with cold before they, too, lost
sensation, and in this numbed frame her consciousness gathered
intensity. Then with a shock, as sudden as a plunge into cold water, her
mind slid on to what seemed another though not an alien plane. Her
mind's eye saw all the old points of view, the accepted angles of
vision, as though torn up and scattered like flung wreckage over the
shining shore of the world that swung below her; things which had seemed
big were small, all relative sizes were altered, perspective itself
seemed run mad, except that after the first breath the knowledge that
this was the true angle swept over her--that she, or rather, the Person
whose vision she was receiving, was looking at the spiritual world from
the point at which she herself had vaguely imagined gazing at the
physical.
Round this spiritual globe she saw the Breath of God hang as the air
hangs round the earth, and she saw it full of ebbing and flowing like a
current-whorled river. She saw how no wind left emptiness where it had
been, but how the elastic tissue thinned out, spread, gathered together,
ran here and there so that no outflow was without its inevitable
influence of contraction: the whole sphere of air was a medley of
pattern, always rhythmic and interchanging. She felt how this elasticity
was brought into play over the surface of the spiritual world, how
actions, sins, pains of mind and body, rack this way and that as they
would, were always enveloped by the divine Breath, even as on the
material globe not a wave can break or a leaf stir but the river of air
holds true. Always the movements of the Breath made a pattern, as
invisible to the soul in the midst of it as the wind-pattern is to those
on earth, a pattern inevitable in the sense that achieved beauty always
strikes the eye, as being inevitable in its rightness.
Then, this measure of universal comfort given, sensation narrowed and
concentrated, not on her soul, but on the soul which had felt long ago,
probably far more intensely, what she was seeing by it and through it
now.
Public-domain text, read in full here on John Shaqi.
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