Beggars on HorsebackJesse, F. Tennyson (Fryniwyd Tennyson)
General
Beggars on Horseback
Jesse, F. Tennyson (Fryniwyd Tennyson)
Fiction; Short stories, English
As a boy he, like all right-minded children, possessed a little city of
the imagination where he sat enthroned, king of the be-pennoned turrets
and circling walls. With Bernardy the idea of the little city had become
an obsession, entering even into his dreams at night, causing him to
lead, even more than most children, that curious inner life of which
waxing adolescence must so surely lose grip. His peculiar and vivid
genius, though technically the joy of his fellow writers, never lost a
quality of uncanny vision that sometimes disconcerted an age given over
to the flamboyance of Byron, and this quality was the natural outcome of
his withdrawal, as a child, into his secret life. That life was a
complicated and delicate thing, no mere floating vagueness of dreams,
but a fabric deliberately planned and reared, with a wealth of cunning
detail to persuade him of reality. He could remember now how convinced
he had been that the town his mind had made was as real as any city he
and his mother visited in their precarious existence--sometimes he could
recall, for a vivid flash, actual streets and houses of his imagination.
Hill cities share with islands the fascination that only aloofness can
give, and the thought of the huddled towns cresting the Alpes-Maritimes
had tugged at Bernardy's cord of memory, bringing back, not only his
mother's stories of her own country, but also the recollections of his
dream-city, so like these he was seeing now. They are towns of fluted
roofs and mellow walls, of shutters flung wide like wings, of courtyards
that are wells of blue shadow, and towers that stand up, golden-white,
into the sunshine. Here Bernardy would come to a town perched,
eagle-wise upon a crag, with a forest of irregular turrets piercing the
sky; there to a little city which fitted over some rounded mountain-top
like a cap, the arching outline of its roofs following faithfully the
curve of the ground with a fruit-like suavity of contour. Everywhere,
away from the cities, lay the olive-slopes, like a great sea, charmed,
at the moment of most tumultuous movement, into stillness, the waves of
it interfolding in vast hollows that never broke; only now and again a
wind tossed the pale undersides of leaves to a semblance of spray.
These valleys, so mysterious at dawn and dusk, and in the day so oddly
toy-like with their tiny, red-roofed oil-mills and the striped effect of
the olive-terraces; these reticent, though seemingly candid, little
townships above them; these mountains that at sunsetting were stained a
burning copper filmed with amethyst--all seemed to Bernardy to be under
a spell, caught in a web of magic as real, though not as visible, as the
web of dappled shadow each olive-tree flung over the ground beside it.
Bernardy told himself that here he could pass a long life happily,
instead of which he had to prepare for death, for the deliberate
blotting out, for him, of all this beauty.
Public-domain text, read in full here on John Shaqi.
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