Beggars on HorsebackJesse, F. Tennyson (Fryniwyd Tennyson)
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Beggars on Horseback
Jesse, F. Tennyson (Fryniwyd Tennyson)
Fiction; Short stories, English
Passing under the cool shadow of the gateway he stood wondering which
way to go; then, saying to himself, "I'll go past the Mayor's house,
I always liked it because of the painted walls," he turned to the
right, and walked several paces before the strangeness of his own
words struck him. "What can I have meant?" he asked himself, "and
yet--I seem to remember a house, a white house, with a painted
frieze of fruit and birds, and the Mayoress was a funny, fat old
thing who made _échédets_. . . ."
With his heart beating fast, he turned the corner and found himself at
the house he sought. The more he looked at it the more he remembered it,
and details crowded on him. He walked down the alley at the side, and
found a stone stairway he knew quite well, a stairway that led to a
carved door. He stumbled into the street again like a man distraught.
"Has the horror turned my brain?" he thought. "Well, what matter, if it
makes it easier to die?"
The whole street struck him as familiar, but not until he turned into
the Square did knowledge flash upon him.
"It's my town!" he cried aloud, "it's my town!"
He felt no perplexity at the incredible nature of the thing, a calming
influence, too gracious to be akin to his former stupor, stole over him;
he moved as in a dream, with no responsibility, but full enjoyment. The
naked plane-trees made a silvery network against the cold, pure blue of
the winter sky; into a raised washhouse across the Square the sun shone
obliquely, and the many-hued skirts of the stooping women made vivid
blotches of colour that harmonized with the rhythmic splash of the water
as only music of sight can with music of sound. Dark against the
cream-washed wall of the church, that seemed almost lambent in the glare
of the sun, sat a row of burnt-out old men with shrivelled throats, and
on the steps of the fountain were two old women in black, one wearing a
white cap of folded wings, the other the wide-brimmed black straw hat
common to the peasantry. The lady of the hat plunged her brown old
fingers into the thin arc of water, and Bernardy saw how the drops that
clung to her hand glittered like diamonds before she shook them off to
pit the dust with pock-marks. With that intense sympathy which had done
much to make him an artist, Bernardy tried for a moment to think himself
into the mind of the black-hatted old woman, and to imagine the Square
and his own figure from her mental and physical point of view. It was a
favourite trick of his, but one of which latterly the strain had been
too much for him. Sometimes he would succeed so well for a flash that it
only made the impalpable but stern barrier of personality more definite
even while almost seeming to overleap it. "If I could only achieve the
thing properly," thought Bernardy, "I suppose I should attain exchange
of identity, or at least be absorbed into that of the old lady. And
then--no more of this black horror, and the shell of me would, I
suppose, disfigure the gravel."
Public-domain text, read in full here on John Shaqi.
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