Beggars on HorsebackJesse, F. Tennyson (Fryniwyd Tennyson)
General
Beggars on Horseback
Jesse, F. Tennyson (Fryniwyd Tennyson)
Fiction; Short stories, English
how he came back with her to the thirteenth-century palace beside the
Arno where she lodged. She had a little room with a painted ceiling,
and the infant Bacchus and adoring nymphs disporting themselves in
bas-relief on the mantelpiece, a room looking over the brown fluted
roofs of Florence; but the great loggia where he and she sat faced the
Arno, and they had coffee and cigarettes and watched the swift blue
night fall over Florence while the swarm of lights waked broken
reflections in the swirling water. On the loggia they exchanged a brief
mention of their troubles, both commonplace enough; hers a childhood
with parents who perpetually quarrelled, the mother a hard worldly woman
who eventually took to drugs, and a father who had at last left for
another woman the home which was so unbearable; while Sophia herself had
only shaken off the horrors of it and earned her own living, barely
enough at that, a few months earlier.
Richard's trouble was his wife, who seemed not unlike Sophia's mother.
He was both too kindly and too weak--for his was one of those
temperaments that shrink from any display of unpleasantness--to have
mastered her brutally and for good--and strong enough to go on living in
the same house with her because, although she made his life a weariness,
she was an intensely conventional woman to whom the position of a wife
separated from her husband before all the world would have been
intolerable. Between him and Sophia the fact that they both knew the
terror of not being able to slip out even to post a letter without
dreading what they might find on going back, made a bond of sympathy.
Sophia, ignorant as she was, could not be a young, and, for some people,
a beautiful woman, without having learned a few stray scraps of wisdom,
and one was that when a man began to confide his troubles to her it was
as well to see less of him. But Sophia let herself drift, because she
liked being with the man so much; and also the fact that he was from her
own place, that the relentless gods had brought him to Florence to meet
her, and would, in due course, send them both back to where, henceforth,
they would know each other, gave her a curious feeling of being
entrapped in some web too powerful to break. She never blamed him or let
him blame himself for what inevitably happened.
"Sophia, my sweet," he wrote her in one of the letters she now picked up
at random. "I didn't deliberately set to work to make love to you. I
knew your beauty inflamed me and your wit delighted me. But when we
first met I thought we should just see each other a few times and
quarrel and laugh, and I should revel in your looks and no harm done.
And now little Miss Jervis has turned into Sophia, and either I must
have Sophia for ever and ever mine, or I ought to have stuck to an
elderly uncle line and come away with no tears for her and no
self-loathing for me, and no need to lie and shuffle and make her share
in the lies and shuffles for the future."
Public-domain text, read in full here on John Shaqi.
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