Begumbagh: A Tale of the Indian Mutiny — John Shaqi
Begumbagh: A Tale of the Indian MutinyFenn, George Manville
History
Begumbagh: A Tale of the Indian Mutiny
Fenn, George Manville
British -- India -- Fiction; India -- History -- Fiction; India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction
Produced by Nick Hodson of London, England
Begumbagh; A Tale of the Indian Mutiny, and three other short stories,
by George Manville Fenn.
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This book of short stories is an excellent read in the usual Fenn style
of suspense. "How does he get out of this one?" is always in the
reader's mind.
Most of the book is taken up with a story about the plight of the
British members of a small garrison, during the Indian Mutiny.
The second story is about half as long, and is a well-written and
extremely plausible story about a house owned by an old gentleman of
ancient lineage, where there is a collection of gold plate which was
said to be an "incubus", that is, the subject of a curse. As indeed
there turns out to be.
The third story is about a couple of smugglers who get trapped in a
"gowt", which is the exit to the sea of one of the great land-drains of
Eastern England, constructed by that great Dutch engineer, Vandermuyden,
in the seventeenth century.
And the last story is about a new and well-found ship, that nearly
doesn't weather a severe storm in the Atlantic. The captain has taken
to the bottle, and command is taken by a junior officer: the ship
survives.
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BEGUMBAGH, A TALE OF THE INDIAN MUTINY, AND THREE OTHER SHORT STORIES
BY GEORGE MANVILLE FENN.
INTRODUCTION.
BEGUMBAGH.
I've waited all these years, expecting some one or another would give a
full and true account of it all; but little thinking it would ever come
to be my task. For it's not in my way; but seeing how much has been
said about other parts and other people's sufferings; while ours never
so much as came in for a line of newspaper, I can't think it's fair; and
as fairness is what I always did like, I set to, very much against my
will; while, on account of my empty sleeve, the paper keeps slipping and
sliding about, so that I can only hold it quiet by putting the lead
inkstand on one corner, and my tobacco-jar on the other. You see, I'm
not much at home at this sort of thing; and though, if you put a pipe
and a glass of something before me, I could tell you all about it,
taking my time, like, it seems that won't do. I said, "Why don't you
write it down as I tell it, so as other people could read all about it?"
But "No," he says; "I could do it in my fashion, but I want it to be in
your simple unadorned style; so set to and do it."
I daresay a good many of you know me--seen me often in Bond Street, at
Facet's door--Facet's, you know, the great jeweller, where I stand and
open carriages, or take messages, or small parcels with no end of
valuables in them, for I'm trusted. Smith, my name is, Isaac Smith; and
I'm that tallish, grisly fellow with the seam down one side of my face,
my left sleeve looped up to my button, and not a speck to be seen on
that "commissionaire's" uniform, upon whose breast I've got three
medals.
Public-domain text, read in full here on John Shaqi.
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