Extortion -- Fiction; London (England) -- Fiction; Mystery fiction
It was nearly midnight, and in a comfortably furnished office in the
middle of the building, so that no light showed in the street outside,
a venerable-looking old gentleman and a handsome young woman, the
latter with a semitic cast of countenance, sat side by side examining
some documents.
A shaded electric reading-lamp on the table gave the only light in the
room, and the documents lay in the ray which it shed immediately in
front of them.
Neither spoke. Both were working rapidly. First the old man would take
a document off the pile, read through it carefully, then pass it to
his companion, who, after quickly scanning its contents, would make
a marginal note or two, and then docket it. Thus they continued in
silence for over half an hour, when the pile of papers came to an end.
The man leant back in his chair, stretched himself, and yawned.
“We have had about enough of this, eh, Camille?” he said, turning with
a curious expression to his companion.
“Not half!” she answered with a foreign accent, which made the slang
sound quaint. “_Après minuit_,” she added, glancing at her wrist-watch.
“I call it crewel.”
“Never mind; it can’t last,” he said. “Or at least it won’t if I have
much to do with it. Give me one of your chipre cigarettes.”
She took a cigarette herself and lit it, then handed him her case.
The room in some respects resembled a boudoir rather than an office,
but hung on its walls were charts marked with colored chalks. In all
there were eight of these charts, and below each was a row of numerals.
At one end of the room the framed portrait of a dark man with curly
hair and a waxed mustache, a man obviously a foreigner, stood on the
overmantle. In a corner near by were stacked twenty or more japanned
tin boxes which might have been deed boxes, though none bore any name,
while at the opposite end, close to the window, were several luxurious
fauteuils, a comfortable settee, some occasional tables and Chippendale
chairs. No sound of any sort found its way into the room.
The man rose in silence, and began slowly to pace the floor. Suddenly
he stopped.
“This case interests me a good deal, Camille,” he said at last. “I feel
sure she must have married the man.”
“_Naturellement_,” the woman answered with a shrug. “And now she
wish--how you say--to be rids of him?”
“Rid of him, not ‘rids.’ But why?”
“_Ma foi_, you ask me one more. He has much money, _hein_?”
“It would seem so, judging by the sums he spends.”
“_Alors naturellement._ What else?”
“But proofs of the marriage have to be obtained, or she doesn’t get the
money.”
“Oh, the proof can be obtained. I obtain him.”
“And what if----”
He stopped abruptly. Both looked quickly towards the door. For some
moments neither spoke. No sound broke the perfect stillness.
“_Qu’est-ce que ca?_” the woman asked in a nervous undertone, putting
her hand on his arm. Both were still staring at the closed door.
“Wait, and I will see.”
He rose, but the woman clutched him.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account