You might not perhaps suspect it, but Mukkun is a prey to vanity. The
pure oily transparency of his Italian complexion commands his admiration,
and he thinks much of those glossy love-locks which emerge from his
turban and curl in front of his ears. Several times a day he goes into
his room to contemplate himself in a small hand mirror, and to wind up
the love-locks on his finger. Poor Mukkun has, indeed, a very human
side, and the phenomenon which we recognise as our _Mussaul_ is not the
whole of him. By birth he is an agriculturist, and there is in the
environs of Surat a little plot of land and a small dilapidated hut in
one corner of it, overgrown with monstrous gourds, which he thinks of as
home, sweet home. There are his young barbarians all at play, but he,
their sire, is forced to seek service abroad because, as he practically
expresses it, the produce of his small field is not sufficient to fill so
many bellies. But, wherever he wanders, his heart—for he has a
heart—flutters about that rickety hut, and as he sits polishing your
boots of a morning, you may hear him pensively humming to himself:—
Beatus ille qui, procul negotiis,
Ut prisca gens mortalium,
Paterna rura bobus exercet suis,
Solutus omni fœnore.
He puts a peculiar pathos into the last line, for he is grievously
haunted by an apparition in the form of an old man with a small red
turban, gold earrings, and grey beard parted in the middle, who
flourishes a paper in his face and talks of the debtors’ gaol; and hints
that he will have the little house and field near Surat. Mukkun first
fell into the net of this spider many years ago, when he wanted a few
hundred rupees to enable him to celebrate the marriage of his little
child. He signed a bond for twice the amount he received then, and it
continues to increase from year to year, though he has paid the principal
twice over in interest; at least he thinks he has, but he is not a good
accountant. Every now and then he is required to sign some fresh
document, of the contents of which he knows nothing, but the effect of
which is always the same—_viz._, to heap up his liabilities and rivet his
fetters more firmly, and punctually on pay day every month, the grim old
man waylays him and compels him to disgorge his wages, allowing him so
much grain and spices as will keep him in condition till next pay day.
In a word, Mukkun is a slave. Yet he does not jump into the garden well,
nor his quietus make with a bare bodkin. No, he plods through life, eats
his rice and curry with gusto, smokes his cigarette with satisfaction,
oils his lovelocks, borrows money from the cook to buy a set of silver
buttons for his waistcoat, and when he tires of them, pawns them to pay
for a velvet cap on which he has set his heart. In short, he behaves _à
la Mukkun_, and no insight is to be had by examining his case through
English spectacles; but it is our strange infirmity, being the most
Public-domain text, read in full here on John Shaqi.
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