Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
I climbed a creaking staircase and went down a creaking hall. I met the
Count von Schwerin, who is in charge. I found myself in a big,
high-ceilinged room the walls of which were hung with heroic portraits
of military dignitaries. My first impression was of a wide arc of desks
that circling from wall to wall seemed to be a barrier between a number
of gentle spoken elderly gentlemen and a vague mass of people that
pressed forward. The anxious faces of all these people reminded me of
another crowd that I had seen--the crowd outside the White Star offices
in New York when the _Titanic_ went down. And I became conscious that
the decorations of this room which, the Count was explaining, was the
Assembly Hall of the War Academy, were singularly appropriate--the
pillars and walls of gray marble, oppressively conveying a sense of
coldness, insistent cold, like a tomb, and all around you the subtle
presence of death, the death of hopes. It was the Hall of Awful Doubt.
And as I walked behind the circle of desks I learned that these men of
tact and sympathy, too old for active service, were doing their part in
the war by helping to soften with kindly offices the blow of fate. I
stood behind them for some few moments and watched, although I felt like
one trespassing upon the privacy of grief. I saw in a segment of the
line a fat, plain-looking woman, with a greasy child clinging to her
dress, a white haired man with a black muffler wrapped around his neck,
a veiled woman, who from time to time begged one of the elderly clerks
to hurry the news of her husband, and then a wisp of a girl in a cheap,
rose-colored coat, on whose cheeks two dabs of rouge burned like coals.
Soldiers from the Berlin garrison were used there as runners. At the
bidding of the gentle old men they hastened off with the inquiry to one
of the many filing rooms and returned with the news. This day there was
a new soldier on duty; he was new to the Hall of Awful Doubt.
"I cannot imagine what is keeping him so long," I heard an elderly
clerk tell the woman with the veil. "He'll come any minute.... There he
is now. Excuse me, please."
And the elderly clerk hurried to meet the soldier, wanting to intercept
the news, if it were bad, and break it gently. But as he caught sight of
the clerk I saw the soldier click his heels and, as if he were
delivering a message to an officer, his voice boomed out: "_Tot!_" ...
Dead!
And the woman with the veil gave a little gasp, a long, low moan, and
they carried her to another room; and as I left the gray room, with the
drawn, anxious faces pushing forward for their turns at the
black-covered desks, I realized the heartrending sacrifice of the women
of France, Belgium, Russia, England, Servia, and Austria, who, like
these German mothers, wives, and sweethearts, had been stricken down in
the moment of hope.
Public-domain text, read in full here on John Shaqi.
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