Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
The train crept on. I saw a French inn with a German flag painted over
the red signboard. The tracks ran between fields scarred on either side
with the brown, muddy craters of shells. At the Longuion Station I
watched a German soldier standing on a ladder, painting out all French
words within the sweep of his brush. Further on I saw a two-wheeled cart
in a deserted farmhouse yard; its shafts were tilted up, and a load of
bags rotted on the ground, as though the owner, unhitching the horse,
had fled.
Almost stopping, so slowly did the train move, it approached a tunnel
that the retreating French had blown up. Inky darkness closed in, and
the Ober-Lieutenant was saying that the Germans were digging the tunnel
out, when a yellow torch flared against the window. I sprang to open it
and saw the ghostly forms of soldiers standing along the rails.
"_Zeitung! Zeitung!_" they cried, and in answer we tossed out to them
all the newspapers in the compartment. You had a feeling that the tunnel
was dangerous, for the shaky, temporary wooden trestle was yielding to
the train's weight. The tunnel marked the beginning of a destroyed
railroad and, as we proceeded, I found myself looking into a house flush
against the track. It was like a room on the stage, the fourth wall
removed. All the intimate possessions of the owner were before me; the
pink wall paper was hideous in its flamboyant bad taste. Herrmann came
to my rescue.
"The tracks from now are either repaired or laid new by our engineers.
As they retreated, the French blew up everything. In some cases we had
to run our line through houses."
The engineers had cut away the half of the house which was in their way
and left the remainder to be boarded up.
A gray castle, that crowned a hill, had been the vortex of the terrific
fighting that raged around Montmédy. It seemed tranquil enough now. I
saw the front door open, and down the terrace there shuffled a squad of
baggy red-trousered French prisoners with their watchful guards.
When we passed through Sedan it was almost dark, swarming with the
Germans as in 1870. One after another we tarried at the stations of
these captured towns. Finally we pulled up to a larger station where
the shadowy forms of houses were closer together. I was awakened from my
speculations by the Ober-Lieutenant saying: "We are in Charleville, the
Great Headquarters."
As I left the train I felt a thrill of anticipation that grew apace
during the long explanation that Herrmann was giving the station guards.
Outside loomed the vague tops of trees, and the whiteness of a house
accentuated against the dark night. Here and there a solitary light
burned, but Charleville was a place of darkness.
Herrmann had expected an automobile to be waiting, but when to the
saluting click of sentries' heels, we had gone the length of the station
front, he said to me: "You please get Mr. Dawson and Mr. Theyer and wait
in the dining-room. I shall walk to Headquarters and see what we are to
do."
Public-domain text, read in full here on John Shaqi.
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