Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
I was hurrying across the field towards the aeroplane, its fish-like
tail bearing the black inscription "B 604/14," which I later came to
know meant biplane number 604 of the year 1914. Ober-Lieutenant Herrmann
was wishing me luck and in the same breath whispering admonitions to the
grave aviator. I climbed up into the observer's compartment and found
myself staring, first at the brown propeller blades only the length of
the wagon in front of me, then at the brass petrol tank overhead, and
the thick, curving celluloid shield behind, through which I could see
the black sleeved arms of the aviator, moving towards the levers. I
glanced down at Herrmann, who looked a little nervous I thought. Two
soldiers were grasping the brown wings on my left. The brown propeller
began to spin, lazily at first, then faster, while the engine that I
could have reached forward and touched, began its roaring. A quick
comparison between the observer's compartment of this machine, and the
one in which I had sat at the Doeberitz Flugplatz near Berlin came to
me--that one had the tiny, brass, bomb-dropping levers, two on each side
of the rail; these were all in one line and on the left; that one had a
writing shelf that fell out from the front wall of the tiny tonneau, so
had this, and I touched the lever that brought the shelf sloping down
towards my knees; the floor of that machine had seemed solid, though
perhaps not, for this was cut to admit the insertion of an observing
device which, protruding up between my knees, offered a lens on which
the eyes might be cupped by a shield as on a Graflex camera. I was
wondering if four bombs dangled from the four releasing hooks below,
when the engine started, smiting my ears with a mad roaring, and driving
cold air against my face. I remembered to pull down my goggles and the
next moment I felt a shudder run the length of the machine as it lurched
forward, running over the field, to rise slightly, bump gently on its
rubbered wheels, and then gliding upward on a gradual slant, sail
towards the willows, dead sentinels grotesquely standing at the far end
of the field with their shrapnel-torn branches dangling against the
gray-ringed dreariness of sky.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account