Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
Possibly my eyes were accustoming themselves to the great height, for in
the glass between my feet objects were becoming clearer. From the
thinnest thread the black lines had thickened perceptibly and now as it
grew darker, I began to see innumerable, tiny, yellow-red tongues that
had a way of darting out from the black lines and as suddenly
withdrawing, and I began to think I heard a faint sound like the broken
rolling of a drum, and somewhere very far off some one seemed to be
beating a bass drum with less frequent but perfectly timed strokes, and
there came up to me the booming of the battle--or did I imagine it?
Observers tell me it is next to impossible to hear.
Even clearer became the battlefield, clearer though it was ever
darkening, and it dawned upon me that we were descending; approaching
that patch of black-lined land where the pygmies played with death. It
was with a weird trembling fascination that you saw the picture in the
glass become more and more distinct. It looked like a relief map now,
with objects coming out of the purplish gray haze, and you wondered at
the geometrical precision of it all. By staring steadily at the black
scarred lines you slowly discerned another color and there at intervals,
which gave that same impression of mathematical exactness, you made out
darker colored dots. "The soldiers!" Involuntarily the words escaped me.
And then the black lines seemed to march across the glass and were gone
and you saw now only the parallels of the approach trenches, one at one
extreme of the lines, the other but half visible on the outer edge.
You knew then that you were flying away from the battle firing line, but
even as you looked, what seemed to be a row of broken boxes, moved
across the glass, hesitated and paused there as the aeroplane hovered
above them; and in that moment a yellowish box which seemed to stand
apart from the others, and which you guessed to be the great house of
the village, was blotted out by the spewing gray white smoke of a
_grenat_ and when the glass cleared you saw that the yellow box had
changed to a jagged shape, red with flames. Fascinated, you watched the
burning house, and then you realized that the celluloid shield behind
you was rattling from violent rapping. Hals was shouting something;
finally I guessed what it was--"Want to go down?" I shook my head no. As
he bent to the levers, I think he chuckled.
I wondered if what immediately followed had anything to do with that
mirth. My muscles were cramped from bending over the glass. I tried now
the naked eye, but the gray dusk was blackening and the fringe of flame
on the trenches becoming redder and more vivid. But this flame, which
should have been even more lurid, began to grow dim and to wane away,
like a thousand guttering candles, and I knew then that we were climbing
once more; why, only the man behind me knew.
Public-domain text, read in full here on John Shaqi.
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