Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
So we were almost home now--home!--the thought made you grimace--miles
away! And in a moment now we must drop, begin that bolt down through
that zone, through which the shells of our own batteries were flying.
And I heard that most disconcerting of all sounds that you hear in the
air, the shutting off of the motor--an instant, and as we slid forward,
I felt for the brass handles to brace myself, and no longer sped round
by the motor's power, the propeller blades became as the strings of a
monstrous harp through which the rushing wind wailed a weird song; and
we bolted down.... If a shell passed I did not hear it. Gaining in
violence, the wind shrieked through the slowly spinning blades, shrieked
as though the very air had gone mad; and just when you had begun to
doubt that it was beyond human skill to bring an aeroplane to earth
through the night like this, you felt a sudden forward horizontal
glide, and the next moment the rubber tired wheels were bouncing over
the hardened field, and the shadowy forms of soldiers seemed to spring
out of the earth, laying hold of the wings as though to make it captive,
and the concentric lights were gleaming just in front; and a voice you
knew to be Ober-Lieutenant Herrmann's was calling, with a trace of
relief, you thought: "Well, how was it?"
Laboriously climbing down from the fuselage, I looked for the aviator,
Hals.
"He ran off to telephone," a soldier said.
"The French battery," I said aloud.
As we motored back to Lille, I heard a German howitzer open fire.
V
BEHIND THE BATTLELINE
The service was as good as you get at the Waldorf. Moving with deft
skill round the long table, as if their training in the array had
consisted of passing platters of food, the soldiers in field gray
silently importuned you to have at least another helping of cheese. In a
detached way I was gazing at the big canvas hanging on the brocaded
wall, the lower part of the picture half hidden by the smart jackets and
shaven heads of the Prussian officers, sitting opposite; then I saw a
soldier opening one of the stained glass windows, and muttering along
the wet wind, I heard the muffled grumbling of the guns.
"An excellent canvas, is it not?" the staff officer at my right was
saying, a slender man with one of those young mustaches; he wore a
monocle, and the Iron Cross. "The Marquis, you know, has one of the best
collections in France. He has several Rubens, I believe, but I have
never seen them," he added hastily. "The gallery is on the second floor,
and the Marchioness has a perfect terror of our going in there--we
barbarians," he laughed.
Public-domain text, read in full here on John Shaqi.
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