Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
I walked between the lines of young recruits, some loading, others
learning the sights, others emptying their magazines, and I came at
last to a shrine of the Virgin built in a recess in the wall. Above it I
could see a patch of the blue sky, framed in the hole of a shell; but it
was not the shrine that held me; it was the soldiers before it. They
were down on one knee, and I wondered if they were Catholics worshiping
there while the others drilled. "_Feuer!_" And each man whom I had
thought on reverent knee, snapped a gun to his shoulder; I heard the
hammers click. They had been learning to shoot kneeling. I wondered if
any of them thought of the Virgin.... "Damn dumbheads!" cried an
officer. "Faster!"
Explaining that the enemy had left an observation post in the steeple
and that the Germans were using it for the same purpose now, Hauptmann
Kliewer led us into a circular staircase of wood that coiled away into
the darkness of the narrow tower. Did we wish to climb up to it? The
Hauptmann explained that it was dangerous, for "knowing we had observers
in the steeple, the French artillery would, sooner or later, open fire."
But arguing with yourself that the French had evidently tried to hit the
steeple before but had only succeeded in putting a few shell holes in
the church roof, you became convinced of the comparative safety of it,
and began to climb the spiral stairs. The higher you got, the more
rotten the boards became, and I was wondering if there wasn't more
danger from my two hundred odd pounds being brought down on a rotten
step than there was of a shell crashing through the brick cylinder.
After climbing up a series of shaky vertical ladders we stepped out on
the observing platform. To put us at our ease, Hauptmann Kliewer warned
us all about not gathering around the observing window, a hole, a foot
square, cut in the wall, adding that the platform was not strong. So,
two at a time, we stood at the window and looked out.
I saw the country laid out as it is from a low-flying aeroplane, the
soggy fields exaggerating the squareness that the gray fences gave;
beyond the flat red-roofed houses I saw a dark green fringe of trees,
and then above that a tiny puff of white smoke appeared, then another,
until I counted four, all billowing out in the thinnest of fleecy
clouds, until thinning all in a white blur, they vanished.
"That's shrapnel," Hauptmann Kliewer was saying. "Our trenches are right
by the woods there."
And it came to me, the wondrous glory of the little white clouds; if
that was so the soldiers might look upon beauty before death. The wind
was blowing towards us, and we heard the shrapnel's peculiar whistling
burst and then the heavy shaking roar of _grenaten_ and over to the
right, just at the edge of the wood, I saw rising the blackish smoke of
heavy shells. About a mile away, exactly opposite, I saw a brown tower
between the trees.
Public-domain text, read in full here on John Shaqi.
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