Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
From Lübeck to Hamburg the ride was uneventful. The hour was not late
and beyond remarking that the towns through which we passed were not as
brilliantly lighted as usual, the courier could from the car window
observe no difference between the Germany of peace and of war. Here and
there we noticed bridges and trestles patroled by _Landwehr_ and outside
our compartment we read the handbill requesting every passenger to aid
the government in preventing spies throwing explosives from the car
windows. From the conductor we learned that there had been such
attempts to delay the passage of troop trains. Whereupon we
congratulated ourselves upon buying the conductor, as we had the
compartment to ourselves. One thought of what would have happened had
there been an excitable German in with us and while the train was
crossing a bridge, we had innocently opened a window for air!
It was almost ten when the close, clustered lights of Hamburg closed in
against the trackside and we caught our first glimpse of the swarming
_Bahnhof_. Soldiers everywhere. The blue of the Reservists, the
gray-green of the Regulars--a shifting tide of color swept the length of
the long platforms, rising against the black slopes of countless
staircases, overrunning the vast halls above, increasing, as car after
car emptied its load. And then, as at Lübeck, we saw white bandages
coming down under cloth-covered helmets and caps, or arms slung in black
slings; the slightly wounded were coming in from the western front.
All this time we had forgotten the Englishman, and it was with a start
that we recalled him.
"If he spots us," advised my companion, "we've got to hand him the cold
shoulder. Mark my words, he'll try to trail along to the same hotel and
stick like a leech."
Again he was right. At the baggage room the Englishman overtook us,
suggesting that we make a party of it--he knew a gay café--first going
to the hotel. He suggested the _Atlantic_. Bluntly he was informed we
were visiting friends, but nothing would do then but we must agree to
meet him in, say, an hour. Not until he found it an impossibility did he
give us up and finally, with marvelous good nature, he said good night.
The last I saw of him was his broad back disappearing through a door
into a street.
The courier nudged me.
"Quick," he whispered, "look,--the man going out the next door."
Before I could turn I knew whom he meant. I saw only the man's profile
before he too disappeared into the street; but it was a face difficult
to forget, for it had been close to me at Warnemunde; it was the face of
the police spy.
"I told you they purposely let him get through," continued my friend.
"That police fellow must have come down on the train from Warnemunde. I
tell you it's best not to pick up with any one these days. Suppose we
had fallen for that Englishman and gone to a café with him to-night--a
nice mess!"
Public-domain text, read in full here on John Shaqi.
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