Any one who knows Mary will not be surprised at this almost instantaneous thought of her mother. I have met the average number of daughters in my life and I can truthfully say that none of them ever gave a mother such devotion as does she. Until the time Mary married Douglas Fairbanks Mrs. Pickford was the one dominating influence in her daughter’s life. In the vividness of this relationship you will find perhaps the reason for one outstanding lack in Mary Pickford’s life. There are many women who admire her. Of men pals, such as Marshall Neilan, the celebrated director, she has a score. But to my knowledge there is only one woman who has approached--and she very tentatively--the position of intimate friend. “Ma” Pickford, as she is known familiarly, is now her daughter’s business manager. But in the old shabby days of the Biograph studio her activities, although more limited, were equally pronounced. Every single day she came with Mary to the studio and stayed with her until she left. She watched every move she made. She gave her suggestions about her work. She sat with the faithful make-up box while Mary was on a set. In the Famous Players’ studio it was the same. Of course, stage and screen supply numerous other instances of brooding maternal solicitude. I am now approaching a phase of the noted pantomimist’s career which points to many adventures in which I myself have been involved. When Mary Pickford first went with Mr. Zukor he paid her five hundred dollars a week. Her success was so marked that before her contract had expired he voluntarily raised this to a thousand dollars. After this--but I am anticipating. Whenever I saw Mr. Zukor looking homeless as a small-town man in house-cleaning time I knew what was the matter. “How much does she want now?” I used to ask him laughingly. “We’re fixing up the contract,” he would answer with a significant lift of the eyebrows. It often took longer to make one of Mary’s contracts than it did to make one of Mary’s pictures. Yet, strangely enough, the beneficiary herself took no hand in the enterprise. The warfare of clauses was waged entirely by her mother and her lawyer. Indeed, Mr. Zukor has often told me that Mary Pickford had never asked him for a cent. “Then how do you know she’s discontented?” I once inquired of him. “How does she act?” “Like a perfect lady,” responded Mr. Zukor stoically. I made no comment, but I have always understood that one of the advantages of being a perfect lady is that you can create a certain atmosphere without creating the basis for any definite accusations. During the time that this contract was being negotiated the newspapers published an item to the effect that Charlie Chaplin had just signed a new contract whereby he was to receive $670,000 a year. Right here was where Mr. Zukor experienced a most acute manifestation of his periodic disorder.