Behind the Veil in Persia and Turkish Arabia: An Account of an Englishwoman's Eight Years' Residence Amongst the Women of the EastHume-Griffith, M. E.
Philosophy
Behind the Veil in Persia and Turkish Arabia: An Account of an Englishwoman's Eight Years' Residence Amongst the Women of the East
Hume-Griffith, M. E.
Arabian Peninsula -- Social life and customs; Iran -- Social life and customs
The son of a friend of mine in Mosul had just completed this part
of his education, and his mother sent word to know if the dancers
might come and dance before us in our compound. We thought this
might be rather trying, as they would probably have stayed all day,
so I sent a message thanking her for the honour, but saying I would
prefer to come to her house to see the "tamash" (sight), as I only
had a limited time to give to it. So at the time appointed I went,
accompanied by a woman servant and a man, as I thought there would
probably be a great commotion. On arriving at the door of the house,
it seemed hopeless even to think of getting in, as the courtyard
was full of men, dancing, shouting, yelling, whirling and slashing
naked swords and daggers. The court was a very small one, and my first
thought was to turn and fly, but the hostess was a very dear friend of
mine, and I did not like to disappoint her, so I sent the man-servant
in front to open a passage in the crowd and followed hard after him,
and felt very thankful when we reached a room safely. The women were
gathered there looking out of the windows at the fun. But this did
not seem to please the dancers, for they called repeatedly for the
"khatoun" (lady) to come and watch them, and some even followed me
into the room, thereby throwing the women into a state of panic and
fright. The men were so wildly excited that they hardly knew what they
were doing. Stripped to the waist, they flourished their swords and
yelled, then jumped high into the air, then crouched on the ground
and again leapt into the air, all the time pointing the daggers or
swords either at their own hearts or some one else's. To add to the
general excitement, other men were beating drums and playing on a
weird kind of stringed instrument. After receiving their "backsheesh"
they departed, for which I was not sorry. The boy in whose honour
all this is taking place is very happy and delighted, and thinks
now he is a man, and so, as he is leaving his childhood behind him,
we too will leave him and pass on to the much less important subject
(from an Eastern standpoint) of the childhood of a girl.
Public-domain text, read in full here on John Shaqi.
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